Bladmusiek $4.95

Oorspronklik

Surrexit pastor bonus. Heinrich Schutz. Choir sheet music. Piano and Keyboard sheet music. Trombone sheet music.

Vertaling

Surrexit pastoor bonus. Heinrich Schutz. Koor bladmusiek. Klavier en Keyboard bladmusiek. Tromboon bladmusiek.

Oorspronklik

Surrexit pastor bonus composed by Heinrich Schutz. 1585-1672. Edited by Uwe Wolf. Arranged by Paul Horn. For SSATTB favorit-chor, 2 violins, 3 trombones, basso continuo,. cappell-chore SATB. SATB. Stuttgart Urtext edition. Sacred concertos, Easter and Eastertide. Choral score. Text language. Latin. SWV 469. 8 pages. Published by Carus Verlag. CA.2046905. ISBN M-007-16139-2. With Text language. Latin. Sacred concertos, Easter and Eastertide. The Easter concerto Surrexit pastor bonus, for large forces, is based on a Latin responsory for Easter. The work is extant only in handwritten form, and nothing is known regarding the date of composition, although the polychoral design, with two ad libitum tutti choirs. "Capellchore". could indicate a temporal proximity to the Psalms of David 1619. On the other hand, the freer treatment of the instruments in particular suggests the Symphoniae sacrae and especially - given the work's large instrumentation - the third part, dated 1650.

Vertaling

Surrexit pastoor bonus saamgestel deur Heinrich Schutz. 1585-1672. Geredigeer deur Uwe Wolf. Gereël deur Paul Horn. Vir SSATTB Favorit-tjor, 2 viole, 3 trombone, basso continuo,. cappell-karwei SATB. SATB. Stuttgart Urtext uitgawe. Heilige concerto, Paasfees en Paasfees. Choral telling. Teks taal. Latyns-. SWV 469. 8 bladsye. Gepubliseer deur Carus Verlag. CA.2046905. ISBN M-007-16139-2. Met teks taal. Latyns-. Heilige concerto, Paasfees en Paasfees. Die Easter concerto Surrexit pastoor bonus vir groot magte, is gebaseer op 'n Latyns-responsory vir Paasfees. Die werk is bestaande slegs in handgeskrewe vorm, en niks is bekend oor die datum van die samestelling, hoewel die polychoral ontwerp, met twee ad libitum tutti kore. "Capellchore". kan 'n tydelike nabyheid aan die Psalms van Dawid 1619 dui. Aan die ander kant, die vryer behandeling van die instrumente in die besonder dui die Symphoniae Sacrae en veral - gegewe die werk se groot instrumentasie - die derde deel, gedateer 1650.