Bladmusiek $185.00

Oorspronklik

Chronicles. Joseph Turrin. B-Flat Trumpet sheet music. Cornet sheet music. Horn sheet music. Trombone sheet music. Grade 6.

Vertaling

Kronieke. Joseph Turrin. B-Flat Trumpet bladmusiek. Horing bladmusiek. Horn bladmusiek. Tromboon bladmusiek. Graad 6.

Oorspronklik

Chronicles. Trumpet Feature. Composed by Joseph Turrin. 1947-. For Soloist. with Concert Band. Piccolo, Flute 1. 2, Oboe 1. 2, Bassoon 1. 2, Bb Clarinet 1, 2, 3, Eb Clarinet, Bass Clarinet, Bb Contrabass Clarinet, Alto Saxophone 1. 2, Tenor Saxophone, Baritone Saxophone, Solo Bb Trumpet, Bb Cornet 1, 2, 3, Bb Trumpet 1, 2, F Horn 1, 2, 3, 4, Trombone 1. Grade 6. Score and parts. Duration 17. 00. Published by C. Alan Publications. CN.06790. This work in many ways could be considered a concerto, if not in a strict sense of form, at least in expansiveness. The Prologue begins with a trumpet fanfare then becomes a mixture of pointillism versus lyricism. Lamentation consists of a haunting chorale as well as a lyrical trumpet melody. Epilogue is a rondo in 3. 4 time with several sections leading to a last high staccato fanfare as the piece whirls to its conclusion. I composed "Chronicles" during the summer of 1998. It is the second large trumpet work I have written for Philip Smith, the first being the Concerto for Trumpet commissioned by the New York Philharmonic in 1988. This work in many ways could also be considered a concerto, if not in a strict sense of form, at least in its expansiveness. The first movement. Prologue. has several thematic ideas that interweave throughout. There is a mixture of pointillism versus lyricism here along with a driving pulse create by running scale passages shared between soloist and ensemble. I also use a fanfare-like motif. as in the opening solo trumpet cadenza. which serves as a unifying force that reappears throughout. There is a quick coda, ending with a seven-bar chorale in which the solo trumpet recaps material from the opening cadenza. The second movement. Lamentation. begins with a chorale and consists of several contrasting sections. Section A, the opening chorale with the soloist entering in the latter half of the section. Following is Section B. a restless agitato. This section builds to a short climax which leads us to Section C. a plaintive melody in the clarinets followed by a building of tension in the brass. Section D follows. a lyrical trumpet melody with a steady ostinato accompaniment. There is a short trumpet cadenza followed by the return of the opening chorale. The movement slowly fades into silence. The last movement. Epilogue. is a rondo in 3. 4 time. There are several sections, all of which lead to a trumpet cadenza. Following the cadenza is a fast coda bringing back material from the first movement. The solo trumpet states one last high staccato fanfare as the piece whirls to its conclusion. - Joseph Turrin.

Vertaling

Kronieke. Basuin Kenmerk. Saamgestel deur Joseph Turrin. 1947 -. Vir solis. Concert Band. Piccolo, Fluit 1. 2, Oboe 1. 2, fagot 1. 2, BB klarinet 1, 2, 3, Eb klarinet, basklarinet, BB kontrabas klarinet, saxofoon 1. 2, saxofoon, bariton saxofoon, Solo Bb trompet, BB Cornet 1, 2, 3, BB trompet 1, 2, F Horn 1, 2, 3, 4, tromboon 1. Graad 6. Telling en dele. Duur 17. 00. Gepubliseer deur C. Alan Publications. CN.06790. Hierdie werk op baie maniere oorweeg kan word om 'n concerto, indien nie in 'n streng sin van die vorm, ten minste in expansiveness. Die voorren begin met 'n trompet fanfare word dan 'n mengsel van pointillisme versus liriese. Klaaglied bestaan ​​uit 'n spook koraal asook 'n liriese basuin melodie. Epiloog is 'n rondo in 3. 4 keer met verskeie afdelings wat lei tot 'n laaste hoë staccato fanfare as die stuk rondtol om die sluiting. Ek bestaan ​​"Chronicles" gedurende die somer van 1998. Dit is die tweede groot basuin werk ek vir Philip Smith, die eerste is die Concerto vir trompet in opdrag van die New York Filharmoniese in 1988 geskryf. Hierdie werk op baie maniere kan ook oorweeg word om 'n concerto, indien nie in 'n streng sin van die vorm, ten minste in sy expansiveness. Die eerste beweging. Proloog. het verskeie tematiese idees wat dwarsdeur verweef. Daar is 'n mengsel van pointillisme versus liriese hier saam met 'n ry pols skep deur die loop toonleerpassasies verdeel tussen solis en ensemble. Ek gebruik ook 'n fanfare-agtige motief. soos in die opening solo basuin cadenza. wat dien as 'n bindende krag wat dwarsdeur weer verskyn. Daar is 'n vinnige koda, eindig met 'n sewe-bar koraal waarin die solo basuin herhalingen materiaal van die opening cadenza. Die tweede beweging. Klaaglied. begin met 'n koraal en bestaan ​​uit verskeie kontrasterende afdelings. Afdeling A, die opening van koraal met die solis aangaan in die tweede helfte van die artikel. Volgende is Afdeling B. 'n rustelose agitato. Hierdie afdeling bou aan 'n kort klimaks wat lei ons na Afdeling C. 'n klaende melodie in die klarinette, gevolg deur 'n gebou van spanning in die koper. Afdeling D volg. 'n liriese basuin melodie met 'n bestendige ostinato-begeleiding. Daar is 'n kort basuin cadenza gevolg deur die terugkeer van die opening van koraal. Die beweging stadig vervaag in stilte. Die laaste beweging. Epiloog. is 'n rondo in 3. 4 keer. Daar is verskeie afdelings, wat almal lei tot 'n trompet cadenza. Na aanleiding van die cadenza is 'n vinnige koda terug te bring materiaal van die eerste beweging. Die solo basuin state 'n laaste hoë staccato fanfare as die stuk rondtol om die sluiting. - Joseph Turrin.