Bladmusiek $18.00

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Coming Home. score & 1 part. Nathan Daughtrey. Euphonium sheet music. Intermediate.

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Coming Home. telling. Nathan Daughtrey. Eufonium bladmusiek. Intermediêre.

Oorspronklik

Coming Home. score & 1 part. composed by Nathan Daughtrey. For Euphonium & Piano. euphonium, piano. Medium. Score & 1 part. Duration 9. 00. Published by C. Alan Publications. CN.19040. Based on themes and motives from the hymn "Lord, I'm Coming Home," this lovely work for euphonium and piano was commissioned by euphonium player Christian Folk to celebrate to the life of his grandmother, Virginia. The piano lays a purely accompanimental role to the long lyrical lines of the euphonium throughout. Commissioned by euphonium player Christian Folk, Coming Home takes its title from the hymn 'Lord, I-m Coming Home' by William Kirkpatrick - a favorite of his grandmother, Virginia Busbee. Melodic motives from the hymn can be found throughout the piece, with one full statement toward the end. Lord, I-m Coming Home by William J. Kirkpatrick. published 1892. First verse. I've wandered far away from God, Now I-m coming home. The paths of sin too long I've trod, Lord, I-m coming home. Refrain. Coming home, coming home, Nevermore to roam. Open wide Thine arms of love, Lord, I-m coming home. The work divides into three major sections. Fear & Anxiety The unaccompanied euphonium at the beginning poignantly captures the feeling of being lost and alone. Even with the sparse interjections of the piano, those anxious feelings are still difficult to overcome. As this section unfolds, there is a sense that it will come to a climax, but the music quickly dies back down, smoothly transitioning into the next section. Courage & Strength Climbing fifths and quartal harmonies characterize this section, combined with a stronger statement of the thematic material from the opening of the piece. A grandiose climax is finally achieved before moving into the final. and longest. section of the piece. Peace, Acceptance & Hope Ascending figures in the piano create an ethereal backdrop for the only full statement of the hymn. You may also hear Christian's grandmother's name, Virginia, uttered as a serial musical figure. It eventually becomes a music box-like accompaniment in the upper register of the piano. Motives from the opening piano statements, combined with the falling-third 'Coming Home' motive, help bring the work to a peaceful conclusion. Christian Folk performed the world premiere of Coming Home with the composer as the accompanist at the South Carolina Music Educators In-Service Conference in Charleston, SC on February 2, 2012.

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Coming Home. telling. saamgestel deur Nathan Daughtrey. Vir Eufonium. euphonium, klavier. Medium. Telling. Duur 9. 00. Gepubliseer deur C. Alan Publications. CN.19040. Gebaseer op temas en motiewe uit die lied "Here, ek kom huis toe," hierdie pragtige werk vir euphonium en klavier is in opdrag van euphonium speler Christelike Afrikaans te vier die lewe van sy ouma, Virginia. Die klavier lê 'n suiwer accompanimental rol die lang liriese lyne van die euphonium regdeur. In opdrag van euphonium speler Christelike Afrikaans, Coming Home neem sy titel van die lied: "Here, Im Coming Home 'deur William Kirkpatrick - 'n gunsteling van sy ouma, Virginia Busbee. Melodiese motiewe van die lied kan gevind word in die stuk, met 'n volledige verklaring aan die einde. Here, ek m Coming Home deur William J. Kirkpatrick. gepubliseer 1892. Eerste vers. Ek het ver weg van God, nou Im Coming Home rondgedwaal. Die paaie van die sonde te lank Ek het geloop, Here, Im Coming Home. Weerhou. Die huis te kom, tuis kom, Nooit meer die stand om rond te loop. Wyd oop U arms van liefde, Here, Im Coming Home. Die werk verdeel in drie groot afdelings. Vrees. Selfs met die yl tussenwerpsels van die klavier, die angstige gevoelens is nog steeds moeilik om te oorkom. Aangesien hierdie artikel ontvou, is daar 'n gevoel dat dit tot 'n klimaks sal kom nie, maar die musiek sterf vinnig terug, glad oordrag in die volgende afdeling. Courage. 'N indrukwekkende klimaks is uiteindelik bereik voordat hulle in die finale. en langste. afdeling van die stuk. Vrede, aanvaarding. Jy kan ook die Christen se ouma se naam, Virginia, geuiter as 'n reeks musikale figuur hoor. Dit word uiteindelik 'n musiek-boks-agtige begeleiding in die boonste register van die klavier. Motiewe van die opening klavier state, gekombineer met die val-derde 'Coming Home' motief, help om die werk aan 'n vreedsame einde. Christelike Afrikaans opgevoer die wêreld première van Coming Home met die komponis as begeleier by die Suid-Carolina Musiek Opvoeders In-Service konferensie in Charleston, SC op 2 Februarie 2012.