Bladmusiek $40.00

Oorspronklik

Concerto No. 1 in D Minor for Marimba. piano reduction. Marimba sheet music. Percussion sheet music. Piano sheet music. Advanced.

Vertaling

Concerto No 1 in D mineur vir Marimba. klavier vermindering. Marimba bladmusiek. Perkussie bladmusiek. Piano bladmusiek. Gevorderde.

Oorspronklik

Concerto No. 1 in D Minor for Marimba. piano reduction. composed by Noah D. Taylor. Percussion Ensemble. For Marimba Concerto. marimba. 5-octave. piano. Concertos. Medium difficult. Piano reduction. Duration 30. 00. Published by C. Alan Publications. CN.10920. Taylor's Concerto displays confident youth as the composer ambitiously recalls the Romanticism of the past. The work is a large-scale undertaking for the soloist and the ensemble. Taylor has truly constructed a solo part of transcendental technique and virtuosity. The Concerto is tangible and tuneful, visually captivating and memorable from the first encounter. The Marimba Concerto No. 1 in D Minor was completed in August 2003. This concerto was composed for marimbist Brenton Dunnington and was Taylor's first work for a solo mallet-percussion instrument. Taylor's Concerto displays confident youth as the composer ambitiously recalls the Romanticism of the past. The work is a large-scale undertaking for the soloist and the orchestra. Taylor has truly constructed a solo part of transcendental technique and virtuosity. The Concerto is tangible and tuneful, visually captivating and memorable from the first encounter. The first movement employs late 19th century harmony blended with Taylor's personal aesthetics. The full and rich orchestration is most evident here. The movement also displays the endurance and facility of the soloist. The opening fanfare and romantic theme form the basis for shaping the movement. Taylor thoroughly develops the theme in a romantically expanded sonata form. The solo cadenza. with improvisational intent. emerges from the end of the development and drives on to explore the theme. It demands intricate, complete command of the marimba and fearless composure from the soloist to accomplish the aggressively fluctuating tempi, the broad dynamic spectrum, and perilous octave descents. After a brief adagio, the first movement reaches an exhilarating orchestral conclusion. The slow second movement, still rooted in romanticism, slips in and out of 20th century harmonies. The movement is a tale of love and passion. Titled Adagio, the movement, opening in C major, is monothematic, but for a brief recapitulation of the first movement's main theme. The movement's poignant melody is carried by each of the oboe, clarinet, and flute solos with marimba. There is a tender, recurring duo between solo marimba and harp followed by a dramatic, climactic chorale where the soloist employs six-mallet technique. The movement culminates in a vivid new statement of the movement's main melody and fades off into the distance. A thematic transformation develops several stages further in the third movement. The Finale is a hero's tale of battle, danger, love, and triumph. Each section evokes a different account on the journey. Taylor reemphasizes the D minor tonality of the opening movement. The third movement bursts into the exhilarating and vigorous first subject, which features a thrilling rhythmic motif and interchange between the soloist and orchestra. The tale moves through a central, lyrical episode in place of a development section. Again, earlier material is recalled. As the final Vivace builds to a climax, the soloist unleashes fiery virtuosity with the orchestra. The majestic recapitulation, now in D major, surveys all of the Finale's opening material concluded by the coda in a brilliant presto and fortissimo. - Noah D. Taylor.

Vertaling

Concerto No 1 in D mineur vir Marimba. klavier vermindering. saamgestel deur Noag D. Taylor. Perkussie Ensemble. Vir Marimba Concerto. marimba. 5-oktaaf. plan. Concerto. Medium moeilik. Piano vermindering. Duur 30. 00. Gepubliseer deur C. Alan Publications. CN.10920. Taylor se Concerto vertoon vertroue jeug as die komponis ambisieus herinner aan die Romantiek van die verlede. Die werk is 'n groot-skaal onderneming vir die solis en die ensemble. Taylor het waarlik gebou 'n solo deel van transendentale tegniek en virtuositeit. Die Concerto is tasbare en goed in die gehoor, visueel boeiende en onvergeetlike uit die eerste ontmoeting. Die Marimba Concerto No 1 in D mineur is in Augustus 2003 voltooi. Hierdie konsert saamgestel vir marimbist Brenton Dunnington en was Taylor se eerste werk vir 'n solo-hamer perkussie instrument. Taylor se Concerto vertoon vertroue jeug as die komponis ambisieus herinner aan die Romantiek van die verlede. Die werk is 'n groot-skaal onderneming vir die solis en die orkes. Taylor het waarlik gebou 'n solo deel van transendentale tegniek en virtuositeit. Die Concerto is tasbare en goed in die gehoor, visueel boeiende en onvergeetlike uit die eerste ontmoeting. Die eerste beweging in diens laat 19de eeu harmonie gemeng met Taylor se persoonlike estetika. Die volle en ryk orkestrasie is baie duidelik hier. Die beweging vertoon ook die uithouvermoë en gerief van die solis. Die opening van fanfare en romantiese tema vorm die basis vir die vorming van die beweging. Taylor ontwikkel deeglik die tema in 'n romantiese uitgebrei sonatevorm. Die solo cadenza. met die opset om improvisasie. blyk uit die einde van die ontwikkeling en dryf op die tema te verken. Dit vereis ingewikkelde, volledige opdrag van die marimba en vreeslose kalmte van die solis die aggressief wisselende tempo's, die breë spektrum dinamiese en gevaarlike oktaaf ​​afdraandes te bereik. Na 'n kort Adagio, die eerste beweging bereik 'n opwindende orkestrale gevolgtrekking. Die stadige tweede beweging, steeds gewortel in die Romantiek, gly in en uit die 20ste eeu harmonieë. Die beweging is 'n verhaal van liefde en passie. Getiteld Adagio, die beweging, die opening in C major, is monothematic nie, maar vir 'n kort samevatting van die eerste beweging se hooftema. Die beweging se aangrypende melodie word uitgevoer deur elk van die hobo, klarinet, fluit en solo's met marimba. Daar is 'n tender, herhalende duo tussen solo marimba en harp, gevolg deur 'n dramatiese, klimaks koraal waar die solis in diens van ses hamer tegniek. Die beweging loop uit op 'n aanskoulike nuwe verklaring van die beweging se belangrikste melodie en vervaag in die verte. 'N tematiese transformasie ontwikkel verskeie fases in die derde beweging. Die Finale is 'n held se verhaal van die stryd, gevaar, liefde en triomf. Elke afdeling roep 'n ander rekening op die reis. Taylor benadruk weer die D mineur tonaliteit van die opening beweging. Die derde beweging bars in die opwindende en energieke eerste onderwerp, wat beskik oor 'n opwindende ritmiese motief en wisselwerking tussen die solis en orkes. Die verhaal beweeg deur 'n sentrale, liriese episode in die plek van 'n ontwikkeling artikel. Weereens, is vroeër materiaal onthou. As die finale Vivace bou aan 'n klimaks, die solis ontsluit vurige virtuositeit met die orkes. Die grootse samevatting, wat nou in D major, opnames van al die Finale se opening materiaal wat deur die koda in 'n briljante presto en fortissimo. - Noag D. Taylor.