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Piano Concerto. Mozartiana. 2007. for piano solo and chamber orchestra. Thomas Oboe Lee. Piano Solo sheet music. Advanced.

Vertaling

Klavierkonsert. Mozartiana. 2007. vir klaviersolo en Kamerorkes. Thomas Hobo Lee. Piano Solo bladmusiek. Gevorderde.

Oorspronklik

Piano Concerto. Mozartiana. 2007. for piano solo and chamber orchestra composed by Thomas Oboe Lee. For Piano,Orchestra. Baroque Period,Classical Period,Romantic Period,20th Century,21st Century. Advanced Intermediate. Score. 2 Flute. also piccolo. 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French horns 2 Trumpets in Bb 2 Trombones Timpani Piano solo. Published by Thomas Oboe Lee. S0.10957. With 2 Flute. also piccolo. 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French horns 2 Trumpets in Bb 2 Trombones Timpani Piano solo. Baroque Period,Classical Period,Romantic Period,20th Century,21st Century. Instrumentation. 2 Flute. also piccolo. 2 Oboes2 Clarinets in Bb 2 Bassoons2 French horns 2 Trumpets in Bb2 TrombonesTimpaniPiano solo 1st Violin2nd ViolinViolaCelloDouble bass Program note. It is with great pleasure that I have had this opportunity to write my very first piano concerto for my next-door neighbor and friend, Robert Levin. The virtuoso pianist Robert Levin and the music of Mozart are an inseparable pairing. I knew immediately that I had to include some Mozart in this stew. For my “Mozartiana,” I went to the complete Mozart edition and looked for some incomplete melodic or thematic fragments that I could “steal” as themes and motives for my concerto. The concerto is in four sections – slow-fast, slow-fast. Perhaps I should say that the work is in two movements – in each movement the music begins slowly, then shifts gear and becomes fast. Out of the four themes in this work, three of them are based on Mozart fragments. The first movement begins with a slow theme in D-minor. The material is derivative of a Mozart fragment in D-major – a “Kyrie” theme for chorus and orchestra. At 80 measures the orchestra goes into a fast romp. The material for this section has nothing to do with Mozart. Texturally, it sounds like a four-part counterpoint display in the style of Bach. The second movement theme is taken from a Mozart fragment originally intended for an orchestral overture. Its main characteristic is a melodic turn followed by a zig-zagging arpeggio theme. The fast music that follows, a mad scherzo, once again at measure 80, is based on a Mozart fragment in triple meter that he sketched for an unfinished string quintet. When I showed Robert Levin the score recently, he said he was quite surprised that he did not recognize the Mozart fragments. “When I read through the score,” he told me, “it sounded like your characteristic TOL music. ” Well, I have to say I was quite relieved and pleased. It is OK to “steal” from the Salzburg Genius, but it is more important that the stolen material should go through a filtering process resulting in something that is recognizably my music and not Mozart’s. Incidentally, Mr. Levin is well known for his improvised cadenzas in concertos by Mozart and Beethoven. Toward the end of the second movement, I gave him ample room to improvise to his heart’s content. Digital Print is printable sheet music available anytime, anywhere. Just purchase, print and play. View your online sheet music at home, school, work or anywhere you have a computer connected to the Internet. Use our iPad app to view your digital sheet music on the go. With Digital Print, you can print your digital sheet music immediately after purchase, or wait until its convenient. And our software installation is easy - we'll guide you through the simple steps to make sure you have Adobe Flash Player, Adobe AIR and the Sheet Music Plus AIR application.

Vertaling

Klavierkonsert. Mozartiana. 2007. vir klaviersolo en Kamerorkes saamgestel deur Thomas Hobo Lee. . Baroktydperk, Klassieke tydperk, Romantiese periode, 20ste eeu, die 21ste eeu. Gevorderde Intermediêre. Telling. 2 Flute. Ook klein. 2 hobo's 2 Clarinets in Bb 2 fagotte 2 Franse horings 2 Trompette in Bb 2 Trombones Timpani Piano solo. Gepubliseer deur Thomas hobo Lee. S0.10957. Met 2 Flute. Ook klein. 2 hobo's 2 Clarinets in Bb 2 fagotte 2 Franse horings 2 Trompette in Bb 2 Trombones Timpani Piano solo. Baroktydperk, Klassieke tydperk, Romantiese periode, 20ste eeu, die 21ste eeu. Instrumentasie. 2 Flute. Ook klein. 2 Oboes2 Clarinets in Bb 2 Bassoons2 Franse horings 2 Trompette in BB2 TrombonesTimpaniPiano solo 1 Violin2nd ViolinViolaCelloDouble bass Program noot. Dit is met groot vreugde dat ek hierdie geleentheid om my heel eerste klavier concerto vir my buurman en vriend, Robert Levin te skryf het. Die virtuose pianis Robert Levin en die musiek van Mozart is 'n onafskeidbaar skakelpaar. Ek het dadelik geweet dat ek 'n paar Mozart in te sluit in hierdie bredie. Vir my Mozartiana, Ek het na die volledige Mozart uitgawe en kyk vir 'n paar onvoltooide melodiese of tematiese fragmente wat ek kon steel as temas en motiewe vir my concerto. Die concerto is in vier afdelings - stadig vinnig, stadig-vinnig. Miskien moet ek sê dat die werk is in twee bewegings - in elke beweging van die musiek begin stadig, verskuif dan rat en word vinnig. Uit die vier temas in hierdie werk was, drie van hulle is gebaseer op Mozart fragmente. Die eerste beweging begin met 'n stadige tema in D-mineur. Die materiaal is afgeleide van 'n Mozart fragment in D-majeur - 'n Kyrie tema vir koor en orkes. Op 80 maatreëls om die orkes gaan in 'n vinnige romp. Die materiaal vir hierdie artikel het niks te doen met Mozart. Texturally, dit klink soos 'n vier-deel kontrapunt vertoning in die styl van Bach. Die tweede beweging tema is geneem uit 'n Mozart fragment oorspronklik bedoel vir 'n orkes ouverture. Die belangrikste kenmerk is 'n melodiese beurt, gevolg deur 'n zig-zagging arpeggio tema. Die vinnige musiek wat volg, 'n mal scherzo, weer op maat 80, is gebaseer op 'n Mozart fragment in drieslagmaat dat hy vir 'n onvoltooide string kwintet geskets. Toe ek het Robert Levin die telling het onlangs, het hy gesê hy was baie verbaas dat hy nie die Mozart fragmente herken het. Toe ek deur die telling lees, het hy vir my gesê, dit klink soos jou kenmerkende TOL musiek. Wel, ek het om te sê ek was nogal verlig en bly. Dit is OK om te steel van die Salzburg Genius, maar dit is meer belangrik dat die gesteelde materiaal moet gaan deur 'n filter proses wat lei tot iets wat herkenbaar my musiek en nie Mozart se. Terloops, mnr Levin is bekend vir sy geïmproviseerde cadenzas in concerto van Mozart en Beethoven. Teen die einde van die tweede beweging, ek het hom genoeg ruimte om te improviseer om sy hart se inhoud. Digitale Print is printable bladmusiek beskikbaar enige tyd, enige plek. Net aankoop, druk en speel. Kyk na jou aanlyn bladmusiek by die huis, skool, werk of waar jy 'n rekenaar wat aan die Internet. Gebruik ons ​​iPad app jou digitale bladmusiek te sien op die pad. Met Digitale Print, kan jy jou digitale bladmusiek druk onmiddellik na die aankoop, of wag totdat sy gerieflike. En ons sagteware installasie is maklik - ons sal jou lei deur die eenvoudige stappe om seker te maak jy het Adobe Flash Player, Adobe AIR en die bladmusiek Plus AIR aansoek.