Bladmusiek $14.95

Oorspronklik

Andante Spianato And Grande Polonaise Brillante. Frederic Chopin. Piano Solo sheet music.

Vertaling

Andante Spianato En Grande Polonaise Brill Ante. Frederic Chopin. Piano Solo bladmusiek.

Oorspronklik

Andante Spianato And Grande Polonaise Brillante composed by Frederic Chopin. 1810-1849. Edited by Christian Ubber. For Piano. Op. 22. 40 pages. Wiener Urtext. Vienna Urtext #UT050266. Published by Wiener Urtext. Vienna Urtext. PR.UT050266. ISBN M-500057-297-8. The genesis of Chopin's Grande Polonaise Brillante Op. 22 originates with his youth in Warsaw and his first tours as a virtuoso. Designed as a concert piece with orchestra, it takes up a special position among the Polonaises of Chopin. By tradition, however, the work has always been performed as an extremely effective solo piece. Since no autograph survives, various first prints are used as source material, and comparisons show that the English first edition must have been based on the autograph manuscript of Chopin. This edition therefore rates this English edition more highly than usual, and numerous discrepancies and omissions present in the French definitive edition are clarified and complemented. The notes on interpretation not only explain the relatively rare term "spianato" but also explain Chopin's techniques with respect to trills and appoggiaturas, and tempo rubato. These explanations are drawn from sources close to Chopin, such as letters from his pupil, Karol Mikuli. For advanced players.

Vertaling

Andante Spianato En Grande Polonaise Brill Ante saamgestel deur Frederic Chopin. 1810-1849. Geredigeer deur Christian ubber. Vir klavier. Op. 22. 40 bladsye. Wiener Urtext. Wene Urtext # UT050266. Gepubliseer deur Wiener Urtext. Wene Urtext. PR.UT050266. ISBN M-500057-297-8. Die ontstaan ​​van Chopin se Grande Polonaise Brill Ante Op. 22 ontstaan ​​met sy jeug in Warskou en sy eerste toere as 'n virtuose. Ontwerp as 'n konsert stuk orkes, wat dit neem om 'n spesiale posisie onder die Polonaises van Chopin. Deur tradisie, maar die werk is nog altyd uitgevoer as 'n uiters effektiewe solo stuk. Aangesien daar geen handtekening oorleef, is verskeie eerste druk gebruik word as bron materiaal, en vergelykings toon dat die Engelse eerste uitgawe moet gebaseer gewees het op die handtekening manuskrip van Chopin. Hierdie uitgawe tariewe daarom hierdie Engelse uitgawe meer hoog as gewoonlik, en talle teenstrydighede en weglatings teenwoordig is in die Franse definitief uitgawe word uitgeklaar en aangevul. Die notas op interpretasie te verduidelik nie net die relatief skaars term "spianato" maar ook verduidelik Chopin se tegnieke met betrekking tot trillers en appoggiaturas en tempo rubato. Hierdie verklarings is afkomstig van bronne naby aan Chopin, soos briewe van sy leerling, Karol Mikuli. Vir gevorderde spelers.