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Bladmusiek $6.95

Oorspronklik

Exalted flesh and blood. Johann Sebastian Bach. Voice sheet music. Choir sheet music. Piano and Keyboard sheet music.

Vertaling

Verhewe vlees en bloed. Johann Sebastian Bach. Voice bladmusiek. Koor bladmusiek. Klavier en Keyboard bladmusiek.

Oorspronklik

Exalted flesh and blood. Cantata for the 2nd day of Pentecost. Composed by Johann Sebastian Bach. 1685-1750. Edited by Frauke Heinze. For SATB vocal soli, SATB choir, 2 flute, 2 violin, viola, basso continuo. Cantatas, Whitsun. Text language. German. English. Composed 1728ca. BWV 173. 12 pages. Duration 15 minutes. Published by Carus Verlag. CA.3117311. With Text language. German. English. Cantatas, Whitsun. Bach created the cantata "Erhohtes Fleisch und Blut" by setting the sacred words to what had originally been the music of a secular cantata, presumably for the festival of Pentecost in 1727. Bach made few alterations to the musical structure, but he enlarged the original solo scoring for soprano and bass to a four-voice ensemble. Particularly notable among the solo movements is the extensive duet for soprano and bass in the form of a minuet, which in its musical language is certainly unique in Bach's cantatas. The dancelike final chorus brings the four voices together, and gives highly effective expression to the joy of Pentecost.

Vertaling

Verhewe vlees en bloed. Kantate vir die 2de dag van Pinkster. Saamgestel deur Johann Sebastian Bach. 1685-1750. Geredigeer deur Frauke Heinze. Vir SATB vokale soli, SATB koor, 2 fluit, 2 viool, altviool, basso continuo. Kantates, Whitsun. Teks taal. Duitse. Engels. Saamgestel 1728ca. BWV 173. 12 bladsye. Duur 15 minute. Gepubliseer deur Carus Verlag. CA.3117311. Met teks taal. Duitse. Engels. Kantates, Whitsun. Bach het die kantate Erhohtes Fleisch und Blut deur die oprigting van die heilige woorde wat oorspronklik die musiek van 'n sekulêre kantate, vermoedelik vir die fees van Pinkster in 1727. Bach gemaak paar veranderings aan die musikale struktuur, maar hy vergroot die oorspronklike solo scoring vir sopraan en bas na 'n vier-stem ensemble. Veral opvallend onder die solo bewegings is die uitgebreide duet vir sopraan en bas in die vorm van 'n minuet, wat in sy musikale taal is beslis uniek in Bach se kantates. Die dancelike finale koor bring die vier stemme saam, en gee hoogs effektiewe uitdrukking aan die vreugde van Pinkster.