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Bladmusiek $5.95

Oorspronklik

Ne timeas, Maria. Choir sheet music.

Vertaling

Ne timeas, Maria. Koor bladmusiek.

Oorspronklik

Ne timeas, Maria. No. 1 from Three Marian Motets. Composed by Ko Matsushita. For SSAA choir. Carus Contemporary. Contemporary choral music. Advent, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Full score. Text language. Latin. 8 pages. Published by Carus Verlag. CA.964200. ISBN M-007-14351-0. With Text language. Latin. Advent, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Matsushita's composition draws on elements of the Gregorian antiphon. It begins in unison Gregorian chant, as was typical of Renaissance motets, and the beginning of new lines of text are also derived from Gregorian material. Matsushita juxtaposes a syllabic, rhythmic declamation with this melody, constantly alternating bars with even and odd numbers of beats, the octave C' - C'' constantly repeated by the outer parts and leading towards the climax at the text "nomen Jesu". After ascending D major arpeggios, the central word "Jesu" radiates into F sharp major, the following repetition in the compass of an octave on C is more tranquil, ending peacefully with an F major chord, ppp.

Vertaling

Ne timeas, Maria. No. 1 from Three Marian Motets. Saamgestel deur Ko Matsushita. Vir SSAA koor. Carus Kontemporêre. Kontemporêre koormusiek. Advent, die feeste van die maagd Maria, Gesange in die lof van die Virgin Mary. Volle telling. Teks taal. Latyns-. 8 bladsye. Gepubliseer deur Carus Verlag. CA.964200. ISBN M-007-14351-0. Met teks taal. Latyns-. Advent, die feeste van die maagd Maria, Gesange in die lof van die Virgin Mary. Matsushita se samestelling trek op elemente van die Gregoriaanse zang. Dit begin in harmonie gregoriaans, as was tipies van die Renaissance motetten, en die begin van die nuwe reëls van die teks is ook afgelei van Gregoriaanse materiaal. Matsushita juxtaposes a syllabic, rhythmic declamation with this melody, constantly alternating bars with even and odd numbers of beats, the octave C' - C'' constantly repeated by the outer parts and leading towards the climax at the text "nomen Jesu". Na stygende D majeur arpeggios, die sentrale woord "Jesu" uitstraal in F skerp groot, die volgende herhaling in die kompas van 'n oktaaf ​​op C is meer rustig, eindig vreedsaam met 'n F majeur koord, ppp.