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Assumpta est Maria. Choir sheet music.

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Assumpta est Maria. Koor bladmusiek.

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Assumpta est Maria. No. 2 from Three Marian Motets. Composed by Ko Matsushita. For SSAA choir. Carus Contemporary. Contemporary choral music. Advent, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Full score. Text language. Latin. 8 pages. Published by Carus Verlag. CA.964300. ISBN M-007-14352-7. With Text language. Latin. Advent, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Matsushita sets each section of the Offertorium text vividly, in keeping with the style of Renaissance motets. The opening motif soars powerfully upwards over a pedal point in leaps of a fifth and fourth from the starting note of C, before pausing on a chord of superimposed fourths at the word coelo. heaven. In the corresponding place at the end of the work, the same tender chord is heard en passant at the word "Maria", a beautiful musical portrayal of the mystery of the Assumption of Mary into heaven. The angels' rejoicing and the alleluia forms the greater part of the motet. imbued with playful repetitions and eighth note rests, the emphasis in the words is displaced and individual, dance-like syncopations are created. The dynamic climax of the work is in three upswings at the words "cum Christo regnat in aeternum", arriving at a radiant B flat major at the word "aeternum". eternity. , chanted forte hymnically over five measures.

Vertaling

Assumpta est Maria. No. 2 from Three Marian Motets. Saamgestel deur Ko Matsushita. Vir SSAA koor. Carus Kontemporêre. Kontemporêre koormusiek. Advent, die feeste van die maagd Maria, Gesange in die lof van die Virgin Mary. Volle telling. Teks taal. Latyns-. 8 bladsye. Gepubliseer deur Carus Verlag. CA.964300. ISBN M-007-14352-7. Met teks taal. Latyns-. Advent, die feeste van die maagd Maria, Gesange in die lof van die Virgin Mary. Matsushita stel elke deel van die Offertorium teks beleef, in ooreenstemming met die styl van die Renaissance motetten. Die opening motief styg kragtig opwaarts oor 'n pedaalpunt in spronge van 'n vyfde en vierde in die beginspan kennis van C, voor op 'n koord van gesuperponeerde vierdes by die woord coelo pousering. heaven. In die ooreenstemmende plaas aan die einde van die werk, is dieselfde tender koord gehoor en passant by die woord "Maria", 'n pragtige musikale uitbeelding van die raaisel van die Hemelvaart van Maria in die hemel. Die engele gejuig en die Halleluja vorm die grootste deel van die motet. gevul met speelse herhalings en agtste noot rus, is die klem in die woorde verplaas en individuele, is dans-agtige sinkcopasies geskep. Die dinamiese klimaks van die werk is in drie op- by die woorde "cum Christo regnat in aeternum", wat by 'n stralende B mol majeur op die woord "aeternum". ewigheid. , chanted forte hymnically over five measures.