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Oorspronklik

In circumsione Domini. Marc-Antoine Charpentier. Organ Accompaniment sheet music.

Vertaling

In circumsione Domain. Marc-Antoine Charpentier. Orrel Begeleiding bladmusiek.

Oorspronklik

In circumsione Domini composed by Marc-Antoine Charpentier. 1645-1704. Edited by Inge Forst. Arranged by Paul Horn. For SSB choir and organ. French Sacred Music. German title. In circumcisione Domini. Cantatas, Christmas. Organ arrangement. Language. Latin. H 316. 8 pages. Duration 5 minutes. Published by Carus Verlag. CA.2101903. ISBN M-007-16144-6. With Language. Latin. Cantatas, Christmas. Marc-Antoine Charpentier not only originated the Eurovision Melody, rather he also made an important contribution to French sacred music from the baroque with his oratorios, motets and cantatas. The four cantatas for the season of Christmas. CV 21.019-21.022. are now published in first editions. The Latin texts of these works for Christmas, the New Year, Epiphany, and the Purification are based on the accounts of the Gospels, which are paraphrased in the form of poetic texts. As in Charpentier's extensive Histoires sacrees, the musical structure is oratorical, with a part for the evangelist and texts spoken directly by biblical personages and groups of people. angels, Herodes, shepherds, wise men. In each work the vocal scoring includes two sopranos and a bass. those passages where a number of voices sing together can be performed either by soloists or by a choir. With this uniform scoring it would be meaningful to perform these works as a cycle, in the manner of a small Christmas oratorio.

Vertaling

In circumsione Domain saamgestel deur Marc-Antoine Charpentier. 1645-1704. Geredigeer deur Inge Forst. Gereël deur Paul Horn. Vir SSB koor en orrel. Franse Geestelike Musiek. Duitse titel. In circumcisione Domain. Kantates, Kersfees. Orrel reëling. Taal. Latyns-. H 316. 8 bladsye. Duur 5 minute. Gepubliseer deur Carus Verlag. CA.2101903. ISBN M-007-16144-6. Met taal. Latyns-. Kantates, Kersfees. Marc-Antoine Charpentier nie net ontstaan ​​die Eurovision Melody, eerder hy het ook 'n belangrike bydrae tot die Franse gewyde musiek uit die barok met sy oratoriums, motetten en kantates. Die vier kantates vir die seisoen van Kersfees. CV 21,019-21,022. nou gepubliseer in eerste uitgawes. Die Latynse tekste van hierdie werke vir Kersfees, die Nuwe Jaar, Epifanie, en vir die suiwering is gebaseer op die rekeninge van die Evangelies, wat geparafraseer word in die vorm van poëtiese tekste. Soos in Charpentier se uitgebreide Histoires sacrees, die musikale struktuur is redenaar, met 'n deel vir die evangelis en tekste direk deur Bybelse persoonlikhede en groepe mense gepraat. engele, Herodes, herders, die wyse manne. In elke werk die vokale scoring sluit twee soprane en 'n bas. daardie gedeeltes waar 'n aantal stemme saam te sing uitgevoer kan word, hetsy deur soliste of deur 'n koor. Met hierdie uniform scoring sou dit sinvol wees om hierdie werke te verrig as 'n siklus, in die vorm van 'n klein Kersfees-oratorium.