Bladmusiek $60.00

Oorspronklik

Chameleon Music. Dan Welcher. Glockenspiel sheet music. Marimba sheet music. Percussion sheet music. Vibraphone sheet music. Xylophone sheet music.

Vertaling

Chameleon Musiek. Dan Welcher. Glockenspiel bladmusiek. Marimba bladmusiek. Perkussie bladmusiek. Vibrafoon bladmusiek. Xylophone bladmusiek.

Oorspronklik

Chameleon Music composed by Dan Welcher. Percussion ensemble. For player 1. crotales - upper octave, glockenspiel, xylophone. , player 2. vibraphone, glass wind chimes, crotales - shared w. , player 3. 4.3-octave marimba, ceramic wind chimes, glockenspiel - shared w. , player 4. 4.3-octave marimba, tom-toms - may. 10 players. Difficulty. Difficult. Duration 10. 10. Published by C. Alan Publications. CN.15. Chameleon Music, composed for ten percussionists by Dan Welcher, is based on a short story by Truman Capote, entitled "Music for Chameleons. " Welcher writes. "More a vignette about a person and a place than an actual story, the piece described a visit by Capote to Martinique, and the home of a woman there. She lives on the edge of the jungle, and had on her terrace a grand piano that had been played by a number of famous visitors. The music she played for Capote was Mozart, and the result of the little recital was the inspiration for my Piece. It seemed that the little lizards living nearby had become accustomed to her playing and had grown to be quite discerning in their taste. The composer they responded most to was Mozart whenever she would play a sonata of his, the chameleons came out in droves from the jungle. They would sneak tentatively forward at first, then. emboldened by Wolfgang. come right up to lie at her feet while she played. When she finished, she'd stamp her feet on the tiles, and the lizards would 'scatter, like the shower of sparks from an exploding star. "The music describes this scene, but more than that. It attempts to show in a rather abstract fashion how music Mozart's music, specifically can cast a spell over otherwise uncivilized beings. The piece has four subtitled sections. 'The Jungle at Night,' 'The Chameleon Circle,' 'The Spell,' and 'The Retreat. In the first section, marimbas provide a chordal curtain of sound, with four kinds of wind chimes adding a scent of the tropics. After the atmosphere of the place has been established, the second section proceeds immediately. 'The Chameleon Circle' presents the cast of characters, in the form of three different motives. played on xylophone, glockenspiel, and bass marimba respectively. These could be thought of as some of the chameleons waiting at the edge of the jungle but they carry within themselves the seeds of the music of their 'favorite composer. ' In the ensuing passage, the tempo picks up and we hear these characters growing bolder. When the tempo slows again, we are in "The Spell. " No fewer than four Mozart sonatas are quoted. K. 279, K. 281, K. 330, and K. 332. Elements of the melodic turns in these fragments seem somehow familiar, and in fact we've just heard them slightly disguised in 'The Chameleon Circle. ' As the Mozart music overlaps and combines in ways in which Mozart never intended. but which, I think, he might have approved. the night is filled with charmed animals, crickets, and of course, chameleons. At the height of their reverie, though, there is a stamping of feet a scattering of tiny legs and the sounds of the jungle at night return, with the barest echoes of Mozart still lingering in the breeze. About the OU Percussion Press. In 1977 the OU Percussion Orchestra and Ensemble embarked on a project that developed into a national model for the encouragement and development of new music for percussion ensemble. The OU Percussion Ensemble Commissioning Series regularly engages outstanding composers to write works for this medium. The Commissioning Series is responsible for the creation of some of today's staples in the percussion ensemble repertoire. In 1983 the University of Oklahoma funded the establishment of the OU Percussion Press, a non-profit extension of the percussion area. Through the Percussion Press, the commissioning series compositions plus other works expressly written for the OU Percussion Orchestra and Ensembles have been made available for purchase and performance by the world's leading percussion ensembles. The Percussion Press' catalog numbers more than 50 works, all published in a non-profit venture as a service to the profession.

Vertaling

Chameleon Musiek saamgestel deur Dan Welcher. Perkussie ensemble. Vir speler 1. crotales - duodeciem, glockenspiel, xilofoon. , Speler 2. vibrafoon, glas wind chimes, crotales - gedeelde w. , Speler 3. 4.3-oktaaf ​​marimba, keramiek wind chimes, glockenspiel - gedeelde w. , Speler 4. 4.3-oktaaf ​​marimba, Tom-toms - kan. 10 spelers. Moeite. Moeilik. Duur 10. 10. Gepubliseer deur C. Alan Publications. CN.15. Chameleon Music, saamgestel vir tien perkussiespelers deur Dan Welcher, is gebaseer op 'n kortverhaal deur Truman Capote, getiteld "Musiek vir Verkleurmannetjies. "Welcher skryf. "Meer 'n vignette oor 'n persoon en 'n plek as 'n werklike storie, die stuk 'n besoek deur Capote te Martinique, en die huis van 'n vrou daar beskryf. Sy woon op die rand van die woud, en het op haar balkon 'n vleuelklavier wat voorheen gespeel deur 'n aantal bekende besoekers. Die musiek wat hulle vir Capote gespeel het, was Mozart, en die resultaat van die klein voordrag was die inspirasie vir my Stuk. Dit blyk dat die klein akkedisse wat daar naby woon het gewoond geraak aan haar spel geword en het gegroei tot heel onderskeiding in hul smaak. Die komponis hulle die meeste gereageer was Mozart wanneer sy sou 'n sonate van sy speel die verkleurmannetjie het uitgekom in hordes van die oerwoud. Hulle sal voorlopig vorentoe sluip op die eerste, dan. aangemoedig deur Wolfgang. kom tot reg om te lieg op haar voete terwyl sy gespeel. Toe sy klaar is, het sy stempel haar voete op die teëls, en die akkedisse sou 'strooi, soos die stort van vonke van 'n ontploffende ster. "Die musiek beskryf hierdie toneel, maar meer as dit. Dit poog om te wys in 'n ietwat abstrakte wyse hoe musiek Mozart se musiek, spesifiek kan 'n spel gooi oor andersins onbeskaafde wesens. Die stuk het vier onderskrifte afdelings. 'The Jungle by Night "," Die Chameleon Circle', 'om die spel, "en" The Retreat. In die eerste artikel, marimbas 'n akkoordprogressie gordyn van klank, met vier soorte windklokke die toevoeging van 'n reuk van die trope. Na afloop van die atmosfeer van die plek ingestel is, die tweede afdeling opbrengs onmiddellik. "Die Chameleon Circle" bied die cast van die karakters, in die vorm van drie verskillende motiewe. gespeel op xilofoon, glockenspiel, en bas marimba onderskeidelik. Dit kan beskou word as 'n paar van die verkleurmannetjie en wag op die rand van die woud, maar hulle voer binne hulself die saad van die musiek van hul gunsteling komponis. "In die daaropvolgende gedeelte, die tempo optel en ons hoor hierdie karakters groei vetter. Wanneer die tempo vertraag weer, ons is in "Die Spel. "Nie minder nie as vier Mozart-sonates aangehaal. K. 279, K. 281, K. 330, en K. 332. Elemente van die melodiese draaie in hierdie fragmente lyk of ander manier vertroud, en in die feit dat ons het net gehoor hoe hulle effens vermom in 'The Chameleon Circle. 'As die Mozart musiek oorvleuel en kombineer in maniere waarop Mozart nooit bedoel. maar wat, ek dink, kan hy goedgekeur het. die nag is gevul met beswering diere, krieke, en natuurlik, verkleurmannetjies. Op die hoogtepunt van hul gedroom, al is, daar is 'n gestamp van voete 'n klompie klein bene en die klanke van die oerwoud in die nag terugkeer, met die gedra eggo's van Mozart tog nog in die wind. Oor die OU Percussion Press. In 1977 het die OU Percussion Orchestra en Ensemble begin met 'n projek wat ontwikkel in 'n nasionale model vir die aanmoediging en ontwikkeling van nuwe musiek vir perkussie ensemble. Die OU Percussion Ensemble ingebruikneming Reeks betrokke gereeld uitstaande komponiste werke vir hierdie medium te skryf. Die ingebruikneming Reeks is verantwoordelik vir die skepping van 'n paar van vandag se stapelvoedsel in die perkussie ensemble repertoire. In 1983 het die Universiteit van Oklahoma befonds die vestiging van die OU Percussion Press, 'n nie-winsgewende uitbreiding van die perkussie-area. Deur die perkussie-Press, het die ingebruikneming reeks komposisies plus ander werke wat uitdruklik vir die OU Percussion Orchestra en ensembles geskryf is beskikbaar vir die aankoop en prestasie deur die wêreld se voorste perkussie ensembles. Die perkussie Press 'katalogus getalle meer as 50 werke, al gepubliseer in 'n nie-winsgewende onderneming as 'n diens aan die beroep.