Bladmusiek $60.00

Oorspronklik

Compendium. Percussion sheet music. Snare Drum sheet music. Vibraphone sheet music. Xylophone sheet music.

Vertaling

Versameling. Perkussie bladmusiek. Snare Drum bladmusiek. Vibrafoon bladmusiek. Xylophone bladmusiek.

Oorspronklik

Compendium composed by Blake M. Wilkins. Percussion ensemble. For player 1. orchestra bells, chimes, timbales, medium gong, medium cymbal. , player 2. xylophone, medium cymbal, 3 tuned gongs, bass drum. , player 3. xylophone, crotales, medium large gong, snare drum, 2 brake drums, small cymbal. , player 4. vibraphone, 5 al. 11 players. Difficulty. Difficult. Duration 11. 45. Published by C. Alan Publications. CN.34. At first glance, the eight years that separate Twilight Offering Music and Compendium seem to bear witness to a drastic change in aesthetic orientation for Blake Wilkins. on the surface, the differences between these two pieces are striking. Yet Compendium is not fundamentally that far removed from Twilight Offering Music. They seem more to occupy different points on a continuum. Compendium simply brings to the forefront and provides an enhanced focus on the primary issues that have informed the bulk of Wilkins' compositions to date. a fascination with coherent organic structures. a preoccupation with the interaction of disparate closed-ended processes. the cultivation of virtuosity in the context of ensemble playing. and the generation of unique and compelling sound worlds. Written between June and September of 1994, Compendium is the result of a commission granted by the University of Oklahoma Percussion Ensemble. It began as a significantly different piece bearing the title 17 Essays on Parametric Transmogrification Presented Coetaneously and In a Single Movement. Wilkins quickly discovered, however, that the broad outline of abstract principles he intended the work to embody would have resulted in a composition that rivaled Twilight Offering Music in length. The composer's central strategy was to isolate the normally integrated parameters of music ú rhythm, melody, harmony, texture, timbre and so forth ú and submit them to various closed-ended transformational processes. The seventeen resulting processes, or "essays," would be of different lengths, starting and ending at different points in the music. Some would last for less than a minute, others would extend through the entirety of the piece. They would overlap and intersect, yet always remain self-contained. This strategy is also the primary focus of Compendium, which even uses some of the music intended for original. Thus, Compendium is precisely that ú a summary of the principles developed in the 17 Essays, focusing mostly on those processes dealing with rhythmic and melodic transformations. But while derivative of the 17 Essays, Compendium is a substantially different work. "As for the fate of 17 Essays on Parametric Transmogrification," writes the composer, "I am loath not to complete it, lest I might disappoint those who have assured me the title is too good to waste. Compendium was commissioned by the University of Oklahoma Percussion Ensemble, Richard C. Gipson, Conductor. It received its premiere performance November 18, 1994, by the Ensemble at the Percussive Arts Society International Convention in Atlanta, Georgia, Dr. Gipson conducting. About the OU Percussion Press. In 1977 the OU Percussion Orchestra and Ensemble embarked on a project that developed into a national model for the encouragement and development of new music for percussion ensemble. The OU Percussion Ensemble Commissioning Series regularly engages outstanding composers to write works for this medium. The Commissioning Series is responsible for the creation of some of today's staples in the percussion ensemble repertoire. In 1983 the University of Oklahoma funded the establishment of the OU Percussion Press, a non-profit extension of the percussion area. Through the Percussion Press, the commissioning series compositions plus other works expressly written for the OU Percussion Orchestra and Ensembles have been made available for purchase and performance by the world's leading percussion ensembles. The Percussion Press' catalog numbers more than 50 works, all published in a non-profit venture as a service to the profession.

Vertaling

Versameling saamgestel deur Blake M. Wilkins. Perkussie ensemble. Vir speler 1. orkes klokke, chimes, timbales, medium gong, medium simbaal. , Speler 2. xilofoon, medium simbaal, 3 gestem gongs, bas drom. , Speler 3. xilofoon, crotales, medium groot gong, snaartrom, 2 rem tromme, klein simbaal. , Speler 4. vibrafoon, 5 al. 11 spelers. Moeite. Moeilik. Duur 11. 45. Gepubliseer deur C. Alan Publications. CN.34. Met die eerste oogopslag, die agt jaar dat afsonderlike Twilight aanbieding Musiek en Compendium lyk te getuig 'n drastiese verandering in estetiese oriëntering vir Blake Wilkins. Op die oppervlak, is die verskille tussen hierdie twee stukke treffende. Tog Compendium is nie fundamenteel so ver verwyder van Twilight aanbieding Musiek. Hulle lyk meer verskillende punte op 'n kontinuum te beset. Compendium net bring aan die voorpunt en bied 'n beter fokus op die primêre kwessies wat die grootste deel van Wilkins 'komposisies ingelig het tot op datum. 'n bekoring met samehangende organiese strukture. 'n beheptheid met die interaksie van uiteenlopende gesluit-ended prosesse. die kweek van virtuositeit in die konteks van ensemble speel. en die opwekking van 'n unieke en dwingende klank wêrelde. Geskryf tussen Junie en September van 1994, Compendium is die gevolg van 'n kommissie wat deur die Universiteit van Oklahoma Percussion Ensemble. Dit het begin as 'n aansienlik verskillende stuk met die titel 17 Opstelle oor Parametriese Transmogrification Aangebied Coetaneously en in 'n enkele beweging. Wilkins vinnig ontdek egter dat die breë raamwerk van abstrakte beginsels hy die werk te verpersoonlik bedoel sou gelei het in 'n samestelling wat rivaled Twilight aanbieding Musiek in lengte. Die komponis se sentrale strategie was die normaalweg geïntegreer parameters van musiek om 'n º ritme, melodie, harmonie, tekstuur, timbre en so meer à º te isoleer en dit aan verskeie geslote-einde transformasie prosesse. Die sewentien gevolg prosesse, of "essays," sou wees van verskillende lengtes, begin en eindig by verskillende punte in die musiek. Sommige sou duur vir minder as 'n minuut, sou ander brei deur middel van die geheel van die stuk. Hulle sou oorvleuel en sny, nog altyd self-vervat. Hierdie strategie is ook die primêre fokus van Compendium, wat selfs gebruik sommige van die musiek bedoel vir oorspronklike. Dus, Compendium is juis dat 'n º 'n opsomming van die beginsels wat ontwikkel is in die 17 essays, fokus hoofsaaklik op die prosesse wat met ritmiese en melodiese transformasies. Maar terwyl afgeleide van die 17 essays, Compendium is 'n aansienlik verskillende werk. "Soos vir die lot van die 17 Essays op Parametriese Transmogrification," skryf die komponis, "Ek is onwillig om dit nie te voltooi nie, sodat ek diegene wat my verseker van die titel is te goed om te mors dalk teleurstel. Versameling is in opdrag van die Universiteit van Oklahoma Percussion Ensemble, Richard C. Gipson, dirigent. Dit het sy première prestasie November 18, 1994, deur die Ensemble by die perkussie Kunste Vereniging Internasionale Konvensie in Atlanta, Georgia, Dr Gipson uitvoer. Oor die OU Percussion Press. In 1977 het die OU Percussion Orchestra en Ensemble begin met 'n projek wat ontwikkel in 'n nasionale model vir die aanmoediging en ontwikkeling van nuwe musiek vir perkussie ensemble. Die OU Percussion Ensemble ingebruikneming Reeks betrokke gereeld uitstaande komponiste werke vir hierdie medium te skryf. Die ingebruikneming Reeks is verantwoordelik vir die skepping van 'n paar van vandag se stapelvoedsel in die perkussie ensemble repertoire. In 1983 het die Universiteit van Oklahoma befonds die vestiging van die OU Percussion Press, 'n nie-winsgewende uitbreiding van die perkussie-area. Deur die perkussie-Press, het die ingebruikneming reeks komposisies plus ander werke wat uitdruklik vir die OU Percussion Orchestra en ensembles geskryf is beskikbaar vir die aankoop en prestasie deur die wêreld se voorste perkussie ensembles. Die perkussie Press 'katalogus getalle meer as 50 werke, al gepubliseer in 'n nie-winsgewende onderneming as 'n diens aan die beroep.