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Oorspronklik

A Downland Suite. John Ireland. Grade 5.

Vertaling

'N Heuvelland Suite. John-Ierland. Graad 5.

Oorspronklik

A Downland Suite composed by John Ireland. 1879-1962. For concert band. Piccolo, 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe. , Eb Clarinet. , 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet. , Bb Bass Clarinet, 1st Bassoon, 2nd Bassoon. , 1st Eb Alto Saxophone, 2nd Eb Alto Saxophone, Bb Tenor Saxophone, Eb Barit. Band Music. Grade 5. Score and parts. Duration 16. 30. Published by C. Alan Publications. CN.R10006. A Downland Suite is structured classically, revealing itself in the loose sonata form of the Prelude, the song-like Elegy, the Minuet, and a last movement which utilizes the Rondo. Tight thematic unity between movements gives the work its cohesion. The Elegy melody provides the kernel and the rising fourth interval is seminal. Ireland gives us our clue by repeating the Elegy theme in the last movement. In fact, the opening Rondo theme is virtually the Elegy. but played four times as fast. and the Minuet is the Elegy theme in inversion. A Downland Suite is one of a pair of works Ireland wrote for brass band. the other being Comedy Overture. in the 1930s. Both were commissioned by the National Brass Band Championships of Great Britain, and this piece was completed in 1932. Ray Steadman-Allen's skillful arrangement was published in 1985. Interestingly, the composer himself freely adapted the Elegy and Minuet for String Orchestra and the adaptation of the outer movements for strings was undertaken some years later by Geoffrey Bush, one of Ireland's many eminent composer pupils. A Downland Suite is structured classically, revealing itself in the loose sonata form of the Prelude, the song-like Elegy, the Minuet with formal repeats and full Trio, and a last movement which utilizes the Rondo framework of a recurring theme reappearing in different keys. But within this classical form are unsettling elements. The tonal relationships between movements of the suite becomes more remote as the work progresses. The first movement is in C Minor, the second in Eb Major, the third in Bb Major. with a Trio in Bb Minor. and the last opens in G Minor and ends with blazing fanfares in G Major, a long way from the sombre mood of the opening. The phrase structure of the Minuet is sometimes unexpected. an 8-bar phrase opens, but Ireland mirrors it with a 9-bar phrase. In fact, throughout the work, the music reaches over bar-lines, phrases are extended, and strong beats displaced. Tight thematic unity between movements gives the work its cohesion. The Elegy melody provides the kernel and the rising fourth interval is seminal. Ireland gives us our clue by repeating the Elegy theme in the last movement. In fact, the opening Rondo theme is virtually the Elegy. but played four times as fast. and the Minuet is the Elegy theme in inversion. The interval of the fourth. sometimes manifested as a falling fifth. is emphasized throughout the first movement. Add to this the octave leaps, the pillars around which the Prelude is constructed, which find their way into the Rondo as the opening accompaniment, and the mature composer's high art of achieving unity within diversity of structure and style is revealed.

Vertaling

'N Heuvelland Suite saamgestel deur John Ierland. 1879-1962. Vir konsert orkes. Piccolo, 1 fluit, 2 fluit, hobo 1, 2 hobo. , Eb Klarinet. , 1 Bb klarinet, 2 Bb klarinet, 3 Bb klarinet, Eb Alto klarinet. , BB basklarinet, fagot 1, 2 fagot. , 1 Eb saxofoon, 2 Eb saxofoon, BB saxofoon, Eb Barit. Band Musiek. Graad 5. Telling en dele. Duur 16. 30. Gepubliseer deur C. Alan Publications. CN.R10006. 'N Heuvelland Suite is klassiek gestruktureerde, die onthulling van homself in die los sonatevorm van die Prelude, die liedjie-agtige Elegy, die Minuet, en 'n laaste beweging wat gebruik maak van die Rondo. Stywe tematiese eenheid tussen bewegings gee die werk van sy samehorigheid. Die Elegy melodie verskaf die kern en die stygende vierde interval is seminale. Ierland gee ons ons idee deur in die laaste beweging herhaal die Elegy tema. Trouens, die opening Rondo tema is feitlik die Elegy. maar het vier keer so vinnig. en die Minuet is die Elegy tema in inversie. 'N Heuvelland Suite is een van 'n paar van die werke Ierland geskryf het vir blaasorkes. die ander is Comedy Overture. in die 1930's. Albei is in opdrag van die Nasionale Brass Band Kampioenskappe van Groot-Brittanje, en hierdie stuk is in 1932 voltooi. Ray Steadman-Allen se ervare reëling is gepubliseer in 1985. Interessant genoeg, die komponis self vrylik aangepas is om die Elegy en Minuet vir String Orchestra en die aanpassing van die buitenste bewegings vir strykers was 'n paar jaar later onderneem deur Geoffrey Bush, een van Ierland se baie vooraanstaande komponis leerlinge. 'N Heuvelland Suite is klassiek gestruktureerde, die onthulling van homself in die los sonatevorm van die Prelude, die liedjie-agtige Elegy, die Minuet met formele herhalings en vol Trio, en 'n laaste beweging wat gebruik maak van die Rondo raamwerk van 'n herhalende tema reappearing in verskillende sleutels. Maar in hierdie klassieke vorm is ontstellend elemente. Die tonale verwantskappe tussen die bewegings van die suite raak meer afgeleë as die werk vorder. Die eerste beweging is in C mineur, die tweede in Eb majeur, die derde in Bb majeur. met 'n Trio in Bb Geringe. en die laaste open in G mineur en eindig met brandende fanfares in G Major, 'n lang pad van die somber stemming van die opening. Die term struktuur van die Minuet is soms onverwagte. 'n 8-maat frase oopmaak, maar Ierland weerspieël dit met 'n 9-bar frase. Trouens, die hele werk, die musiek oor bar-lyne bereik, is frases verleng, en 'n sterk slae verplaas. Stywe tematiese eenheid tussen bewegings gee die werk van sy samehorigheid. Die Elegy melodie verskaf die kern en die stygende vierde interval is seminale. Ierland gee ons ons idee deur in die laaste beweging herhaal die Elegy tema. Trouens, die opening Rondo tema is feitlik die Elegy. maar het vier keer so vinnig. en die Minuet is die Elegy tema in inversie. Die interval van die vierde. soms gemanifesteer as 'n val vyfde. regdeur die eerste beweging beklemtoon. Voeg daarby die oktaaf ​​spronge, die pilare waar rondom die Prelude is gebou, wat hul weg na die Rondo as die opening begeleiding vind, en die volwasse komponis se hoë kuns van die bereiking van eenheid in diversiteit van struktuur en styl openbaar.