Bladmusiek $65.00

Oorspronklik

Celery Stalks At Midnight. Ben Homer. Voice sheet music. Beginning.

Vertaling

Selderystingels om middernag. Ben Homer. Voice bladmusiek. Begin.

Oorspronklik

Celery Stalks At Midnight. Recorded by Doris Day with Les Brown. Edited by Myles Collins. Arranged by Ben Homer. For jazz big band with vocal. Swing. Medium Easy. Published by Lush Life. JL.LL-2171. Here is a transcription of the Doris Day. Les Brown chart on Celery Stalks. It is equally suitable for dance or concert performance and, aside from the obvious vocal feature, contains cameo solos for trombone and tenor. Whilst the tune is probably more associated with the Will Bradley Orchestra, this Doris Day gem bounces along nicely and plays down with a big, fat sound. There are no sax doubles and the brass ranges are moderate. Ranges. Trumpets 1-4. C6, A5, G5, Eb5. Trombones 1-4. A4, F4, Eb4, D4. Vocal key. Vocal Range. C4 - C5. 1 octave.

Vertaling

Selderystingels om middernag. Aangeteken deur Doris Day met Les Brown. Geredigeer deur Myles Collins. Gereël deur Ben Homer. Vir jazz big band met vokale. Swing. Medium Easy. Gepubliseer deur welige Life. JL.LL-2171. Hier is 'n transkripsie van die Doris Day. Les Brown grafiek op selderystingels. Dit is ewe geskik vir dans of konsert prestasie en afgesien van die ooglopende vokale funksie, bevat cameo solo vir tromboon en tenoor. Terwyl die deuntjie waarskynlik meer verband hou met die Will Bradley Orkes, hierdie Doris Day juweel hop saam mooi en speel af met 'n groot, vet klank. Daar is geen sax dubbelspel en die koper reekse is matige. Reekse. Trompette 1-4. C6, A5, G5, Eb5. Trombone 1-4. A4, F4, Eb4, D4. Sang sleutel. Vocal Range. C4 - C5. 1 oktaaf.