Bladmusiek $65.00

Oorspronklik

Happy Hooligan. Guitar sheet music. B-Flat Trumpet sheet music. Bass Trombone sheet music. Drums sheet music. Percussion sheet music. Piano sheet music. Intermediate.

Vertaling

Gelukkig Hooligan. Guitar bladmusiek. B-Flat Trumpet bladmusiek. Bastrombone bladmusiek. Dromme bladmusiek. Perkussie bladmusiek. Piano bladmusiek. Intermediêre.

Oorspronklik

Happy Hooligan by Elliot Lawrence. Edited by Jeffrey Sultanof. Arranged by Gerry Mulligan. For big band. 2 Alto Saxophones, 2 Tenor Saxophones, Baritone Saxophone, 4 Trumpets, 3 Trombones. 3rd is Bass Trombone. , Guitar, Piano, Bass, Drums. Swing. Medium. Score and parts. Published by Jazz Lines Publications. JL.JLP-8203. As a high school student in Philadelphia, Gerry Mulligan approached WCAU house band director John Warrington to write arrangements for the band. Warrington was impressed with Mulligan's music and not only bought some arrangements, but coached him as well. After a stint with the Tommy Tucker band in 1945, Mulligan went back to WCAU, where pianist. arranger Elliot Lawrence had become the new house bandleader. After a year with the Gene Krupa orchestra, Mulligan moved to New York to arrange for the Claude Thornhill orchestra. He also wrote for Lawrence, whose orchestra was now a national attraction with a Columbia Records contract and a full-touring schedule. The Music. Most Mulligan scores are dated, but the score to this piece is unavailable at this time, so the date of this piece is a question-mark. This publication has been engraved from the original parts. The name of the piece is of interest. Happy Hooligan was a comic strip character created by Frederick Burr Opper that ran from 1900 through 1932, when Burr had to retire due to poor eyesight. No doubt Mulligan must have seen it as a child and remembered the character, a penniless hobo who usually had a smile on his face regardless of whatever misfortune and bad luck befell him. The recording made for Fantasy Records may be faster than Mulligan intended this piece to be played. Mulligan was upset with the tempos on this album in general. Certainly your ensemble can play the piece at the speed in which it was recorded, but the slower tempo indicated on the first page of the score is my recommendation based on discussions I had with him during the summer of 1995. The introduction was cut on both the parts and recording. Lawrence plays an eight-bar intro with the rhythm section. Of additional interest are two backgrounds for solos that Mulligan wrote. According to the parts, he cut the background from bars 57-60, but they are present on the recording. The trombone. baritone sax background beginning at bar 65 was not cut on the parts, but was cut for the recording. Ranges.

Vertaling

Gelukkig Hooligan deur Elliot Lawrence. Geredigeer deur Jeffrey Sultanof. Gereël deur Gerry Mulligan. Vir big band. 2 Alto saxofoons, 2 Tenor saxofoons bariton saxofoon, 4 blaas, 3 trombone. 3 is Bastrombone. , Kitaar, klavier, bas, tromme. Swing. Medium. Telling en dele. Gepubliseer deur Jazz Lines Publications. JL.JLP-8203. As 'n hoërskool-student in Philadelphia, Gerry Mulligan genader WCAU huis-band direkteur John Warrington reëlings vir die band te skryf. Warrington was beïndruk met Mulligan se musiek en nie net 'n paar reëlings gekoop, maar afgerig hom sowel. Na 'n termyn met die Tommy Tucker band in 1945, Mulligan gaan terug na WCAU, waar pianis. verwerker Elliot Lawrence het die nuwe huis groepleier geword. Na 'n jaar met die gene Krupa orkes, Mulligan verhuis na New York om te reël vir die Claude Thornhill orkes. Hy het ook vir Lawrence, wie se orkes was nou 'n nasionale trekpleister met 'n Columbia Records kontrak en 'n full-toer skedule. Die Musiek. Die meeste Mulligan tellings is gedateer, maar die telling na hierdie stuk is nie beskikbaar in hierdie tyd, so die datum van hierdie stuk is 'n vraagteken. Hierdie publikasie is gegraveer uit die oorspronklike dele. Die naam van die stuk is van belang is. Gelukkig Hooligan was 'n strokiesprent karakter geskep deur Frederick Burr Opperman wat gehardloop vanaf 1900 deur middel van 1932, toe Burr het om af te tree as gevolg van swak sig. Geen twyfel Mulligan moet dit gesien het as 'n kind en onthou die karakter, 'n brandarm boemelaar wat gewoonlik 'n glimlag op sy gesig, ongeag van watter teenspoed en ongeluk hom getref het. Die opname gemaak vir Fantasie Rekords kan vinniger as Mulligan bedoel hierdie stuk gespeel word nie. Mulligan was ontsteld met die tempo op hierdie album in die algemeen. Sekerlik jou ensemble kan die stuk speel teen die spoed wat dit is aangeteken, maar die stadiger tempo aangedui op die eerste bladsy van die telling is my aanbeveling gebaseer op gesprekke wat ek met hom gehad het gedurende die somer van 1995. Die bekendstelling is gesny op beide die dele en die opname. Lawrence speel 'n agt-bar intro met die ritme afdeling. Van bykomende belang is twee agtergronde vir solo's wat Mulligan geskryf. Volgens die dele, sny hy die agtergrond van bars 57-60, maar hulle is tans op die opname. Die trombone. bariton saxofoon agtergrond begin op 65 bar nie afgesny op die dele, maar is gesny vir die opname. Reekse.