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Oorspronklik

Ernesto Nazareth Guitar Solo Anthology. Acoustic Guitar sheet music. Classical Guitar sheet music. Guitar Solo sheet music. Intermediate.

Vertaling

Ernesto Nazareth Guitar Solo Anthology. Acoustic Guitar bladmusiek. Klassieke kitaar bladmusiek. Guitar Solo bladmusiek. Intermediêre.

Oorspronklik

Ernesto Nazareth Guitar Solo Anthology. 28 Guitar Solos on Compositions. Composed by Flavio Henrique Medeiros and Carlos de Lemos Almada. For Guitar. Classical. Perfect binding, Solos. Bill's Music Shelf. Classic. Intermediate. Book. 136 pages. Published by Mel Bay Publications, Inc. MB.99178. ISBN 9780786659821. Classic. 8.5 x 11 inches. A collection of 28 Ernesto Nazareth compositions expertly transcribed for classic guitar solo. One of the major difficulties in trying to arrange Ernesto Nazareth's themes for any instrument, but the piano, is to separate the melodic line from its accompaniment. both are so closely together. that is one of the strongest characteristics of his pianistic style of composition. that it becomes almost impossible to treat one of the features disregarding the other. If one did that, the result would be only a pale and incomplete portrait of what was intended by the composer. That thought has guided us in the making of this book. In spite of the huge obstacles that resulted from the transposition of a piece originally written for the piano - a very rich instrument regarding the expressive recourses - to the more "modest" guitar, we always kept in mind our principal intention. to preserve at the most all the melodic dialogues of the scores, in special the ones between the melody and the bass line, both the elements that form the soul of Nazareth's compositions. We obviously had to do some changes. Thus, for instance, in some arrangements it was necessary to transpose the original key to a more appropriate one. at the guitar view-point, of course. Some phrases or fragments had also to be written an octave higher or lower. that can be perfectly understandable if we consider the very wide melodic range of the piano and the extensive way with which Nazareth uses it. Needless to say that all those recourses were used only when it has been strictly necessary. Despite the fact that those 28 pieces are only a little portion of Nazareth's work, this group of arrangements represents a good and representative panel. Among them there are some of Nazareth's greatest hits. "Apanhei-te Cavaquinho", "Odeon", "Brejeiro", "Ameno Reseda", etc. as well as other not so known compositions- but no less beautiful and important. Listening to those pieces one can observe the compositional talent of Nazareth and his incredible harmonic, melodic and - especially - rhythmic versatility. Each of them has its own and unmistakable personality. The most part of the scores of this book - as well as in Nazarethian repertoire - is composed by tangos brasileiros. , Brazilian tangos. , but there are also some polcas and some of his most expressive valsas, like "Confidencias" and "Coracao que Sente".

Vertaling

Ernesto Nazareth Guitar Solo Anthology. 28 Guitar Solo op Komposisies. Saamgestel deur Flavio Henrique Medeiros en Carlos de Lemos Almada. Vir Guitar. Klassieke. Perfekte binding, Solo. Bill se Musiek Shelf. Classic. Intermediêre. Book. 136 bladsye. Gepubliseer deur Mel Bay Publications, Inc. MB.99178. ISBN 9780786659821. Classic. 8.5 x 11 duim. 'N Versameling van 28 Ernesto Nazareth komposisies kundig getranskribeer vir klassieke kitaar solo. Een van die groot probleme in 'n poging Ernesto Nazareth se temas te reël vir enige instrument, maar die klavier, is die melodiese lyn te skei van sy begeleiding. beide is so nou saam. dit is een van die sterkste eienskappe van sy piano styl van samestelling. dat dit byna onmoontlik om een ​​van die funksies te behandel verontagsaam die ander. As 'n mens het nie, sou die resultaat slegs 'n bleek en onvolledige beeld van wat bedoel was om deur die komponis wees. Wat gedink het ons gelei in die maak van hierdie boek. Ten spyte van die groot struikelblokke wat die gevolg is van die transposisie van 'n stuk oorspronklik vir die klavier geskryf - 'n baie ryk instrument met betrekking tot die ekspressiewe hulpbronne - na die meer "beskeie" kitaar, het ons altyd in gedagte gehou ons skoolhoof voorneme. te bewaar by die meeste van al die melodiese dialoog van die tellings in spesiale dié tussen die melodie en die baslyn, beide die elemente wat die siel van Nasaret se komposisies vorm. Ons het duidelik 'n paar veranderinge te doen. So, byvoorbeeld, in sommige reëlings was dit nodig om die oorspronklike sleutel tot 'n meer gepaste een om te sit. op die kitaar oog-punt, natuurlik. Sommige frases of fragmente het ook geskryf word 'n oktaaf ​​hoër of laer. wat perfek verstaanbaar kan wees as ons kyk na die baie wye melodiese omvang van die klavier en die uitgebreide manier waarmee Nasaret gebruik dit. Nodeloos om te sê dat al die hulpbronne is slegs gebruik wanneer dit streng noodsaaklik. Ten spyte van die feit dat die 28 stukke is net 'n bietjie gedeelte van Nasaret se werk, is hierdie groep reëlings verteenwoordig 'n goeie en verteenwoordigende paneel. Onder hulle is daar 'n paar van Nasaret se grootste treffers. Apanhei-te Cavaquinho, Odeon, Brejeiro, Ameno Reseda, ens. sowel as ander nie so bekend komposisies-maar nie minder mooi en belangrike. Luister na die stukke kan 'n mens die komposisionele talent van Nasaret en sy ongelooflike harmoniese, melodiese en neem - veral - ritmiese veelsydigheid. Elkeen van hulle het sy eie en onmiskenbaar persoonlikheid. Die grootste deel van die tellings van hierdie boek - sowel as in Nazarethian repertoire - is saamgestel deur tango brasileiros. Brasiliaanse tango. , Maar daar is ook 'n paar polcas en 'n paar van sy mees uitdrukkingsvolle valsas soos Confidencias en CORAÇÃO que Sente.