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Oorspronklik

Ollantay. Alberto Ginastera. Grade 4.

Vertaling

Ollantay. Alberto Ginastera. Graad 4.

Oorspronklik

Ollantay. Tres Movimientos Sinfonicos. Composed by Alberto Ginastera. 1916-1983. Arranged by Douglas McLain. For Concert Band. Grade 4. Full score. Duration 15. 00. Published by Baton Music. BF.BM476-SCORE. 'Ollantay' is one of the last scores of his nationalistic period of the Argentin composer Alverto Ginastera. The imagery for the music comes from the 'Popol Vuh', or Council Book, an assemblage of Mayan myths of the creation and the legendary gods. Ollantay is the son of the Earth. he opposes Inca, the son of the Sun. When Ollantay attempts to rape Coyllur, the daughter of Inca, thereby profaning the Temple of the Virgins, Inca declares war on Ollantay, who resists for a time in his fortress, but who finally is defeated and killed. Ginastera divided the tale into three sections, which he described as follows. I. Paisaje de Ollantaytambo. The Countryside of Ollantaytambo. II. Los Guerreros. The Warriors. III. La Muerte de Ollantay. The Death of Ollantay. Ginastera composed Ollantay in Buenos Aires in 1947. Erich Kleiber, to whom the work is dedicated, conducted the world premiere in Buenos Aires on October 29, 1949, with the orchestra of the Teatro Colon.

Vertaling

Ollantay. Drie simfoniese. Saamgestel deur Alberto Ginastera. 1916-1983. Gereël deur Douglas McLain. Vir Concert Band. Graad 4. Volle telling. Duur 15. 00. Gepubliseer deur Baton Musiek. BF.BM476-SCORE. 'Ollantay' is een van die laaste tellings van sy nasionalistiese tydperk van die Argentin komponis Alverto Ginastera. Die beelde van die musiek kom uit die 'Popol Vuh', of die Raad Book, 'n menigte van die Maja mites van die skepping en die legendariese gode. Ollantay is die seun van die aarde. hy teen Inca, die seun van die Son . Ginastera verdeel die verhaal in drie afdelings, wat hy beskryf as volg. I. Landscape Ollantaytamba. Die platteland van Ollantaytamba. II. . Die Warriors. III. . Die dood van Ollantay. Ginastera saamgestel Ollantay in Buenos Aires in 1947. Erich Kleiber, aan wie die werk word gewy, gedoen om die wêreld première in Buenos Aires op 29 Oktober 1949 met die orkes van die Teatro Colon.