Bladmusiek $26.95

Oorspronklik

Sing to the Lord a new-made song. Johann Sebastian Bach. Voice sheet music. Bassoon sheet music. Choir sheet music. Percussion sheet music. Piano and Keyboard sheet music. Timpani sheet music.

Vertaling

Sing tot eer van die Here 'n nuwe gemaak lied. Johann Sebastian Bach. Voice bladmusiek. Fagot bladmusiek. Koor bladmusiek. Perkussie bladmusiek. Klavier en Keyboard bladmusiek. Timpani bladmusiek.

Oorspronklik

Sing to the Lord a new-made song. Cantata for New Year's Day. Composed by Johann Sebastian Bach. 1685-1750. Edited by Kirsten Beisswenger. Arranged by Masato Suzuki & Masaaki Suzuki. For ATB vocal soli, SATB chior, oboe 1. oboe d'amore, oboe II-III, bassoon 3, timpani, 2 violins solo, 2 violins, viola, basso continuo. Stuttgart Urtext Edition. German title. Singet dem Herrn ein neues Lied. New Year. Set of instrumental parts. except strings. Language. German. English. Composed 1724. BWV 190. Duration 19 minutes. Published by Carus Verlag. CA.3119009. With Language. German. English. New Year. The cantata BWV 190 has survived only in fragmentary form. This reconstruction by the celebrated Bach experts Masaaki and Masato Suzuki goes far beyond previous attempts. it draws upon only thematic and motive material of the movements themselves, closely interwoven.

Vertaling

Sing tot eer van die Here 'n nuwe gemaak lied. Kantate vir Nuwejaarsdag. Saamgestel deur Johann Sebastian Bach. 1685-1750. Geredigeer deur Kirsten Beisswenger. Gereël deur Masato Suzuki. Vir ATB vokale soli, SATB chior, hobo 1. hobo d'amore, hobo II-III, 3 fagot, timpani, slegs 2 viole, 2 viole, altviool, basso continuo. Stuttgart Urtext Edition. Duitse titel. Sing tot eer van die Here 'n nuwe lied. Nuwe Jaar. Stel van instrumentale dele. behalwe snare. Taal. Duitse. Engels. Saamgestel 1724. BWV 190. Duur 19 minute. Gepubliseer deur Carus Verlag. CA.3119009. Met taal. Duitse. Engels. Nuwe Jaar. Die kantate BWV 190 oorleef net in gefragmenteerde vorm. Hierdie rekonstruksie deur die gevierde Bach kundiges Masaaki Suzuki en Masato veel verder gaan as die vorige pogings. dit trek op net tematiese en motief materiaal van die bewegings self, nou verweef.