Bladmusiek $200.00

Oorspronklik

Symphony on Death & Dying. C Trumpet sheet music. English Horn sheet music. Grade 5.

Vertaling

Symphony op die dood. C Trumpet bladmusiek. Engels Horn bladmusiek. Graad 5.

Oorspronklik

Symphony on Death & Dying composed by Karl Blench. For concert band. Piccolo, Flute 1, 2. Piccolo 2, 3. , Alto Flute. Flute 3. , Oboe 1, 2, English Horn, Bassoon 1, 2. Contrabassoon. , Clarinet in Bb 1, 2, 3, 4, Bass Clarinet, Alto Saxophone 1, 2, Baritone Saxophone, Horn in F 1, 2, 3, 4, Trumpet in C 1, 2, 3, 4, Tenor Trombo. Band Music. Grade 5. Score and parts. Duration 17. 40. Published by C. Alan Publications. CN.11420. This piece explores the emotions a person may feel after the loss of someone close. The Symphony is cast in four movements played without pause. Symphony on Death and Dying was written after taking a course at the University of New Hampshire of the same name. This piece explores the emotions a person may feel after the loss of someone close. The Symphony is cast in four movements played without pause. The pitch material is based on a seven note theme. E, F, G, F#, D#,. , C, B. and all motives are derived from the intervals contained within this set. The work was written for the University of New Hampshire Wind Ensemble. Durham, NH. and dedicated to the ensemble's director, Dr. Andrew Boysen. Out of Confusion and Anger begins as a funeral march and is centered around the pitch E. The theme is stated from a solo trombone and then picked up by various groups of the ensemble. After the theme is presented an ostinato figure and melodic bass line build to the first outburst of anger followed by a return to the opening material. Of Remembrance is a solemn movement in contrast to the first. The solo clarinet has the melody at the beginning accompanied by soft harmonies in the low brass until it is interrupted by the theme from the first movement. Ghosts then can be heard as singing voices building to a brief climax and then a return to the opening melody this time in the solo bassoon. Of Rage begins with an outburst from the entire ensemble. The movement is filled with violent brass, screeching woodwinds, and is accented by barbaric percussion. After a brief return to the material of the first and second movements the material builds to the symphony's climax where violent screaming and shouting can be heard. The movement then slowly returns to the funeral march theme from the first movement. In Of Why. the solo soprano acts as the griever asking and wondering why their loved one has left them. The movement is brief and recalls material from the three previous movements. After one last desperate cry from the soprano and the ensemble the work comes to its quiet close. 'Karl Blench.

Vertaling

Symphony op die dood. Vir konsert orkes. Piccolo, Fluit 1, 2. Klein 2, 3. , Altfluit. Fluit 3. , Oboe 1, 2, Engels Horn, fagot 1, 2. Kontrafagot. , Klarinet in Bb 1, 2, 3, 4, basklarinet, saxofoon 1, 2, bariton saxofoon, Horn in F 1, 2, 3, 4, trompet in C 1, 2, 3, 4, tenoor Trombo. Band Musiek. Graad 5. Telling en dele. Duur 17. 40. Gepubliseer deur C. Alan Publications. CN.11420. Hierdie stuk verken die emosies wat 'n persoon kan voel na die verlies van iemand naby. Die Simfonie is in vier bewegings gespeel sonder pouse gooi. Symphony op die dood en sterfte is geskryf nadat hy 'n kursus by die Universiteit van New Hampshire met dieselfde naam. Hierdie stuk verken die emosies wat 'n persoon kan voel na die verlies van iemand naby. Die Simfonie is in vier bewegings gespeel sonder pouse gooi. Die blad materiaal is gebaseer op 'n sewe-noot tema. E, F, G, F. , C, B. en al motiewe is afgelei van die intervalle wat in hierdie stel. Die werk is vir die Universiteit van New Hampshire Wind Ensemble geskryf. Durham, NH. en opgedra aan die ensemble se direkteur, dr Andrew Boysen. Uit verwarring en Woede begin as 'n begrafnis optog en is gesentreer rondom die veld E. Die tema is gesê van 'n solo trombone en dan opgetel deur verskillende groepe van die ensemble. Na afloop van die tema word 'n ostinato figuur en melodies baslyn bou vir die eerste uitbarsting van woede, gevolg deur 'n terugkeer na die opening materiaal. Van herinnering is 'n plegtige beweging in teenstelling met die eerste. Die solo-klarinet het die melodie aan die begin vergesel deur sagte harmonie in die lae koper totdat dit onderbreek deur die tema van die eerste beweging. Spoke kan dan as sangstemme te bou tot 'n kort klimaks en dan 'n terugkeer na die opening melodie hierdie tyd in die solo fagot gehoor word. Van woede begin met 'n uitbarsting van die hele ensemble. Die beweging is gevul met 'n gewelddadige koper, skreeuende houtblasers, en word beklemtoon deur 'n barbaarse perkussie. Na 'n kort terugkeer na die materiaal van die eerste en tweede bewegings van die materiaal bou aan die simfonie se klimaks waar gewelddadige gegil en geskree gehoor kan word. Die beweging dan stadig terug na die begrafnis optog tema van die eerste beweging. In waarom. die solo-sopraan tree op as die griever vra en wonder hoekom hul geliefde hulle het oorgebly. Die beweging is kort en herinner materiaal van die vorige drie bewegings. Na 'n laaste desperate kreet uit die sopraan en die ensemble die werk kom tot sy stil naby. 'Karl terug deinzen.