Bladmusiek $5.95

Oorspronklik

Missa concertata in C. Giacomo Carissimi. Voice sheet music. Choir sheet music. Piano and Keyboard sheet music.

Vertaling

Missa concertata in C. Giacomo Carissimi. Voice bladmusiek. Koor bladmusiek. Klavier en Keyboard bladmusiek.

Oorspronklik

Missa concertata in C composed by Giacomo Carissimi. 1605-1674. Edited by Gunther Massenkeil. For SSB vocal soli. TTB. or choir, 2 violins, basso continuo. original version. C-Dur. C major. Score available separately - see item CA.2706300. Latin Masses. Choral score. Language. Latin. 16 pages. Duration 31 minutes. Published by Carus Verlag. CA.2706305. ISBN M-007-12874-6. With Language. Latin. Latin Masses. Giacomo Carissimi, the first great master of the oratorio and author of numerous concertante motets and Italian bel canto solo cantatas, also composed several masses. The Missa concertata in C for 2 tenors. or sopranos. and bass, 2 violins and basso continuo was printed in Cologne in 1666, a fact which is regarded as of proof of the fame of this Roman master among his contemporaries throughout Europe. The work is written in concertante style, accompanied by basso continuo, as opposed to the a cappella style of writing, and today it is one of the few surviving works of this type. It can be performed entirely by soloists, or by soloists alternating with a choir.

Vertaling

Missa in C daadwerklike saamgestel deur Giacomo Carissimi. 1605-1674. Geredigeer deur Gunther Massenkeil. Vir SSB vokale soli. TTB. of koor, 2 viole, basso continuo. oorspronklike weergawe. C-Dur. C-majeur. Telling afsonderlik beskikbaar - sien item CA.2706300. Latyns-Massas. Choral telling. Taal. Latyns-. 16 bladsye. Duur 31 minute. Gepubliseer deur Carus Verlag. CA.2706305. ISBN M-007-12874-6. Met taal. Latyns-. Latyns-Massas. Giacomo Carissimi, die eerste groot meester van die oratorium en skrywer van talle concert motetten en Italiaanse bel canto Solokantates, ook saamgestel verskeie massas. Die Missa concertata in C vir 2 tenore. of soprane. en bas, 2 viole en basso continuo in Keulen gedruk in 1666, 'n feit wat beskou word as bewys van die roem van hierdie Romeinse meester onder sy tydgenote in Europa. Die werk is geskryf in Concert styl, vergesel deur basso continuo, in teenstelling met die a cappella skryfstyl, en vandag is dit een van die min oorblywende werke van hierdie tipe. Dit kan heeltemal uitgevoer word deur soliste, of deur soliste afgewissel met 'n koor.