Bladmusiek $1.70

Oorspronklik

Bonny Wood Green. A Cappella sheet music.

Vertaling

Bonny Wood Green. A Cappella bladmusiek.

Oorspronklik

Bonny Wood Green composed by Traditional Irish. Arranged by Stephen Hatfield. For TBB choir, a cappella. Octavo. Published by Alliance Music Publications. AN.AMP-0882. "Bonny Wood Green" is a ballad from World War I, still sung in Irish pubs today. The Irish were unenthusiastic about entering the war on the British side, but once the decision had been made there were surprisingly large numbers of volunteers. The divided loyalties of the Irish soldiers cannot have made their ordeal in the trenches any easier. The text is adapted to a female perspective and added a final glimpse of the girl left behind, as she continues to pay tribute to an ordeal of her own. Although the song deals with heartbreak and death, a simple, meditative delivery will be more effective than a lot of high drama. A void big vocal gestures, and keep all changes in dramatic levels gentle and understated. The audience should be left with the melancholy peace that comes long after heartbreak, not the heartbreak itself.

Vertaling

Bonny Wood Green saamgestel deur Tradisionele Ierse. Gereël deur Stephen Hatfield. Vir TBB koor, a cappella. Agtste. Gepubliseer deur Alliance Musiek Publications. AN.AMP-0882. "Bonny Wood Green" is 'n ballade van die Eerste Wêreldoorlog, steeds in die Ierse pubs gesing vandag. Die Iere was unenthusiastic oor wat in die oorlog op die Britse kant, maar sodra die besluit gemaak is, was daar verbasend groot getalle vrywilligers. Die verdeelde lojaliteite van die Ierse soldate kan nie hul beproewing in die loopgrawe nie makliker gemaak het. Die teks aangepas is om 'n vroulike perspektief en bygevoeg 'n finale blik op die meisie agter gelaat, terwyl sy voortgaan om hulde te bring aan 'n beproewing van haar eie. Hoewel die lied handel oor die hartseer en die dood is, sal 'n eenvoudige, meditatiewe lewering meer effektief as 'n baie hoë drama wees. 'N leemte groot stem gebare, en hou al die veranderinge in dramatiese vlakke sag en onderskat. Die gehoor moet gelaat word met die melancholie vrede wat kom lank na hartseer, nie die hartseer self.