Bladmusiek $4.95

Oorspronklik

Intende voci. Franz Schubert. Choir sheet music. Double Bass sheet music. Horn sheet music. Tenor Voice sheet music. Trombone sheet music. Voice Solo sheet music.

Vertaling

Sal inskrywings. Franz Schubert. Koor bladmusiek. Double Bass bladmusiek. Horn bladmusiek. Tenoor stem bladmusiek. Tromboon bladmusiek. Voice Solo bladmusiek.

Oorspronklik

Intende voci. Offertorium. Tenor-Arie mit Chor. Composed by Franz Schubert. 1797-1828. Edited by Werner Bodendorff. For tenor voice solo, SATB choir, oboe, 2 clarinets, 2 bassoons, 2 horns, 3 trombones, 2 violins, viola, cello, double bass. B-Dur. B-flat major. Stuttgart Urtext Edition. Score available separately - see item CA.7004600. Violin 1 part. Language. Latin. Composed 1828. D 963. 4 pages. Duration 10 minutes. Published by Carus Verlag. CA.7004611. With Language. Latin. In contrast to his earlier short church works, some of which rely stylistically on baroque and classical models, in this work Schubert has discovered his own personal and romantically coloured church music idiom. Elements of this new church style include iteration which creates atmosphere, the subtle introduction of wind instrument, and sounds which die away to nothing, an effect which Schubert also employed in the "Mass in E flat".

Vertaling

Sal inskrywings. Offertorium. Tenoor-Arie mit Chor. Saamgestel deur Franz Schubert. 1797-1828. Geredigeer deur Werner Bodendorff. Vir tenoor stem solo, SATB koor, hobo, klarinet 2, 2 fagotte, 2 horings, 3 trombone, 2 viole, altviool, tjello, kontrabas. B-Dur. B-mol majeur. Stuttgart Urtext Edition. Telling afsonderlik beskikbaar - sien item CA.7004600. Viool 1 deel. Taal. Latyns-. Saamgestel 1828. D 963. 4 bladsye. Duur 10 minute. Gepubliseer deur Carus Verlag. CA.7004611. Met taal. Latyns-. In teenstelling met sy vorige kort kerk werke, waarvan sommige staatmaak stilisties op barok-en klassieke modelle, in hierdie werk Schubert het ontdek sy eie persoonlike en romanties gekleurde kerkmusiek idioom. Elemente van hierdie nuwe kerk styl sluit iterasie wat skep atmosfeer, die subtiele bekendstelling van wind instrument, en klink wat weg tot niks sterf, 'n effek wat Schubert ook werksaam in die "Mass in E-mol".