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Oorspronklik

Concerto for Flute in D major. Johann Christian Bach. Voice sheet music. Flute Solo sheet music. Horn sheet music. Piano and Keyboard sheet music.

Vertaling

Concerto vir fluit in D majeur. Johann Christian Bach. Voice bladmusiek. Fluit Solo bladmusiek. Horn bladmusiek. Klavier en Keyboard bladmusiek.

Oorspronklik

Concerto for Flute in D major. Flotenkonzert in D. Composed by Johann Christian Bach. 1735-1782. Edited by Ulrich Leisinger. For solo flute, 2 horns, strings, basso continuo. This edition. Paperbound. D-Dur. D major. Score available separately - see item CA.3840400. Vocal score. Language. all languages. Composed 1768. Warb C 79. 52 pages. Duration 20 minutes. Published by Carus Verlag. CA.3840403. ISBN M-007-09647-2. With Language. all languages. Johann Christian Bach was-as his father before him-only very seldom satisfied with the compositions that he put down on paper. Thus did this concerto too undergo many corrections. revisions by the composer and today consists of three movements of similar length. Although they were initially handed down separately at different locations, the motivic relationship as well as the melodic and figurative references among themselves clearly reveals the common identity of the three movements. Not only the final rondo is characterized by highly virtuoso passages, but both the slow, second movement as well as the introductory movement testify to youngest Bach son's compositional greatness, whose works later generations unjustly let almost fall into desuetude.

Vertaling

Concerto vir fluit in D majeur. Flotenkonzert in D. Saamgestel deur Johann Christian Bach. 1735-1782. Geredigeer deur Ulrich Leisinger. Vir solo fluit, 2 horings, snare, continuo. Hierdie uitgawe. Paper bound. D-Dur. D-majeur. Telling afsonderlik beskikbaar - sien item CA.3840400. Sang telling. Taal. alle tale. Saamgestel 1768. Warb C 79. 52 bladsye. Duur 20 minute. Gepubliseer deur Carus Verlag. CA.3840403. ISBN M-007-09647-2. Met taal. alle tale. Johann Christian Bach was-soos sy vader voor hom net-baie selde tevrede met die komposisies wat hy op papier. So het hierdie konsert te ondergaan talle veranderings. hersiening deur die komponis en vandag bestaan ​​uit drie bewegings van soortgelyke lengte. Hoewel hulle aanvanklik oorgelewer afsonderlik op verskillende plekke, die motiefiese verhouding sowel as die melodiese en figuurlik verwysings onder mekaar onthul duidelik die gemeenskaplike identiteit van die drie bewegings. Nie net die finale rondo word gekenmerk deur hoogs virtuose gange, maar beide die stadige, tweede beweging asook die inleidende beweging getuig jongste Bach seun se komposisionele grootheid, wie se werke later geslagte onregverdig laat byna val in onbruik.