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Arpalinea. Guitar Solo sheet music.

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Arpalinea. Guitar Solo bladmusiek.

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Arpalinea composed by Benjamin Staern. For guitar solo. 28 pages. Duration 15 minutes. Published by Gehrmans Musikforlag. GH.GE-11464. ISBN 979-0-070-11464-6. A4 inches. Work note by the composer. "When I received the news of this commission, I had no idea what it would lead to. Writing for guitar solo is not the same as composing for orchestra where you have forty voices where you can easily mask an entire section. Here you are very naked to the bone. The starting point for this work was from J.S. Bach's Chaconne in D-minor that Johannes had performed in concert, originally written for violin but there is a version transcribed for guitar and piano made by Ferruccio Busoni. When I went to Cortona. in Tuscany, Italy. completed the southern mentality of this work. Arpalinea is actually a merged word in Italian language. Arpa means harp , however in a musical context it's more or less resembled with the word arpeggio , which means broken chords. Linea means line. The work is divided in three parts. I. Arpeggio. It starts with an opening "chaconne-like" sequence and is marked with "a certain depth" in which the chords starts to separate from the organum note in the bass and it culminates into a section called "with rhythmical focus". These sections alternates, variates which each other. The middle section has a playful and childish atmosphere where the guitarist knocks on the body of the guitar resembling a Spanish folk instrument cajon. This is leading to a section which tends more to a very aggressive fusion-like riff that loses control and reaches its climax at the end. II. Linea. The static rhytmical pulse is now disintegrated and it forms more or less sort of a free, improvisational state in a rubatolike tempo. The character is described as "a very hot day with temperatures rising above 37. or 100. where you can hardly do anything just sitting dozed off and pespiring because of the extreme heat watching a huge fog coming up in the evening that spreads around the Tuscan atmosphere. III. Finale. It starts off with fast one-note ostinati then more and more notes pop up like a gradual rain storm with thunder strikes. And eventually it leads to that is "a large flood through the streets of an medieval Southern town". The work ends with a short circuit slapped strings along with extremely fast tremolos that reaches higher and louder as possible. Benjamin Staern.

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Arpalinea composed by Benjamin Staern. Vir kitaar solo. 28 bladsye. Duur 15 minute. Gepubliseer deur Gehrmans Musikforlag. GH.GE-11464. ISBN 979-0-070-11464-6. A4 duim. Werk nota deur die komponis. "Toe ek die nuus ontvang van hierdie kommissie, ek het geen idee gehad wat dit sou lei tot. Skryf vir kitaar solo is nie dieselfde as die samestelling vir orkes waar jy veertig stemme waar jy kan maklik masker 'n hele artikel. Hier is jy baie kaal tot op die been. Die beginpunt vir hierdie werk is van J.S. Bach se Chaconne in D-mineur dat Johannes in die konsert uitgevoer het, wat oorspronklik vir viool geskryf is, maar daar is 'n weergawe getranskribeer vir die kitaar en klavier deur Ferruccio Busoni. Toe ek na Cortona. in Toskane, Italië. voltooi die suidelike mentaliteit van hierdie werk. Arpalinea is eintlik 'n saamgesmelte woord in die Italiaanse taal. Arpa beteken harp egter in 'n musikale konteks is dit min of meer gelyk soos met die woord arpeggio, wat beteken gebroke akkoorde. Linea beteken lyn. Die werk is in drie dele verdeel. I. Arpeggio. Dit begin met 'n opening "Chaconne-agtige" ry en is gemerk met 'n "'n sekere diepte" in wat die akkoorde begin te skei van die Organum noot in die bas en dit lei tot 'n artikel genaamd "met ritmiese fokus". Hierdie afdelings plaasvervangers stogastiese veranderlikes wat mekaar. Die middelste gedeelte het 'n speelse en kinderagtige atmosfeer waar die kitaarspeler klop op die liggaam van die kitaar wat lyk soos 'n Spaanse folk instrument CAJON. Dit lei tot 'n artikel wat geneig is om meer na 'n baie aggressiewe samesmelting-agtige riff dat beheer verloor en bereik sy hoogtepunt aan die einde. II. Linea. Die statiese rhytmical pols is nou verbrokkel en dit vorm min of meer soort van 'n vrye, improvisasie staat in 'n rubatolike tempo. Die karakter word beskryf as "'n baie warm dag met temperature bo 37 styg. of 100. waar jy skaars iets kan doen net sit en dut pespiring as gevolg van die uiterste hitte kyk na 'n groot mis kom in die aand wat versprei rondom die Toskaanse atmosfeer. III. Finale. Dit begin met 'n vinnige een-noot ostinati dan meer en meer notas pop-up soos 'n geleidelike reën storm met donder stakings. En uiteindelik lei dit tot wat "'n groot vloed deur die strate van 'n Middeleeuse Suider-dorp". Die werk eindig met 'n kortsluiting geklap snare saam met 'n baie vinnige tremolos dat hoër en harder as moontlik bereik. Benjamin Staern.