Bladmusiek $20.00

Oorspronklik

Slopes. Percussion sheet music. Snare Drum sheet music.

Vertaling

Hellings. Perkussie bladmusiek. Snare Drum bladmusiek.

Oorspronklik

Slopes composed by Paul Rennick. Snare drum solo with 3 percussionists. For snare drum solo with 3 percussionists. field snare drum, concert snare drum, piccolo snare drum, 3 high toms. double headed. , 3 medium toms. double headed. , 3 low toms. double headed. , 2 log drums, concert bass drum, 3 sizzle cymbals, ride cymbal, mark tree. Level 5. Score and set of parts. Published by Innovative Percussion. IP.E-PR-SLO. Composer's notes. "Slopes" was originally commissioned by John Roberts in 2005 at The University of North Texas. It was conceived by reflecting on a lecture given in Aspen, Colorado by a physics professor from the University of Chicago. The topic was fractal geometry in nature and avalanche theory. The musical material captures the characteristics of these subjects, with a falling direction and downward sloping motifs. "-Slopes" is a work for solo snare drum with percussion trio accompaniment. Combining rudimental and concert techniques, Paul Rennick has created a piece that is technically exciting and musically interesting. The soloist performs on three drums throughout the piece. concert snare, field drum and piccolo snare. The accompanying percussion trio uses combinations of non-pitched instruments. Percussion 1. three high tom-toms, log drum with two pitches, sizzle cymbal. Percussion 2. two medium tom-toms, sizzle cymbal, mark tree. Percussion 3. three large tom-toms, concert bass drum, sizzle cymbal, ride cymbal. The piece has three large sections. The first is characterized by a quick tempo and the use of a concert snare drum by the soloist. The middle section is slower. derived by way of a metric modulation from the opening section. and features the field drum. Following another metric modulation back to the original tempo, the final section features a brief appearance by the piccolo snare drum, followed by the rest of the work featuring the concert snare drum. Largely rudimental in nature, technical demands in the solo part mainly involves the use of paradiddle, drag, roll. open and closed. , and flam patterns. A potentially overlooked aspect of the difficulty level involves the execution of many of these techniques at soft dynamic levels, demanding an advanced degree of subtlety and nuance from the soloist. While the accompanying parts are also challenging from a rhythmic and ensemble standpoint, they do not require the level of technical skill required of the soloist, making this work suitable for an advanced high school or undergraduate percussion ensemble looking to feature a guest artist, advanced student, or faculty member. - Jason Baker Percussive Notes, May 2010.

Vertaling

Hange saamgestel deur Paul Rennick. Snaartrom solo met 3 perkussiespelers. Vir snaartrom solo met 3 perkussiespelers. gebied snaartrom, konsert snaartrom, piccolo snaartrom, 3 hoë toms. dubbel onder leiding. , 3 medium toms. dubbel onder leiding. , 3 lae toms. dubbel onder leiding. , 2 log dromme, konsert bastrom, 3 sis simbale rit simbaal, merk boom. Vlak 5. Score en stel dele. Gepubliseer deur Innoverende Percussion. IP.E-PR-SLO. Komponis se notas. "Hange" is oorspronklik in opdrag van John Roberts in 2005 aan die Universiteit van Noord-Texas. Dit was swanger deur oor 'n lesing gegee in Aspen, Colorado deur 'n fisika professor van die Universiteit van Chicago. Die onderwerp was fraktale meetkunde in die natuur en stortvloed teorie. Die musikale materiaal vang die eienskappe van hierdie vakke, met 'n dalende rigting en afwaartse motiewe. "Hange" is 'n werk vir solo snaartrom met perkussie trio begeleiding. Kombinasie rudimental en konsert tegnieke, het Paulus Rennick het 'n stuk wat is tegnies opwindend en musikaal interessant. Die solis voer op drie tromme regdeur die stuk. konsert strik veld drom en piccolo strik. Die meegaande perkussie trio gebruik kombinasies van nie-frekwensie instrumente. Perkussie 1. drie hoë Tom-toms, log drom met twee plekke, braai simbaal. Perkussie 2. twee medium Tom-toms, braai simbaal, merk boom. Perkussie 3. drie groot Tom-toms, konsert bastrom, braai simbaal, rit simbaal. Die stuk het drie groot afdelings. Die eerste is gekenmerk deur 'n vinnige tempo en die gebruik van 'n konsert snaartrom deur die solis. Die middelste gedeelte is stadiger. verkry deur middel van 'n metrieke modulasie van die opening artikel. en funksies van die veld drom. Na nog 'n metrieke modulasie terug na die oorspronklike tempo, die laaste afdeling beskik oor 'n kort verskyning by die piccolo snaartrom, gevolg deur die res van die werk met die konsert snaartrom. Grootliks rudimental in die natuur, tegniese vereistes in die solo gedeelte behels hoofsaaklik die gebruik van paradiddle, sleep, rol. oop en geslote. En valsheid patrone. 'N potensieel oor die hoof gesien aspek van die moeilikheidsgraad behels die uitvoering van baie van hierdie tegnieke op sagte dinamiese vlakke, eis 'n gevorderde graad van subtiliteit en nuanse van die solis. Terwyl die meegaande dele is ook 'n uitdaging van 'n ritmiese en ensemble oogpunt, het hulle nie nodig nie die vlak van tegniese vaardigheid van die solis, die maak van hierdie werk wat geskik is vir 'n gevorderde hoë skool of voorgraadse perkussie ensemble soek na 'n gaskunstenaar, gevorderde student om die funksie , of lid van die fakulteit. - Jason Baker perkussie Notes, Mei 2010.