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Creative Comping Concepts for Jazz Guitar. Electric Guitar sheet music. Advanced.

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Creative Comping Proewe vir Jazz Guitar. Electric Guitar bladmusiek. Gevorderde.

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Creative Comping Concepts for Jazz Guitar composed by Mark Boling. For Guitar. All. Saddle-stitched, Rhythm. Backup. Private Lessons Series. Jazz. Intermediate-Advanced. Book. CD Set. 40 pages. Published by Mel Bay Publications, Inc. MB.20414BCD. ISBN 9780786671861. Jazz. 8.75 x 11.75 inches. Pianists are the main sources of inspiration for new developments in jazz guitar comping. Yet guitarists have been slow to develop a comping vocabulary with harmonic sophistication, subtle voiceleading, and rhythmic flexibility on the level of the best contemporary pianists. This book seeks to remedy the situation by articulating a comping vocabulary in the context of six of the most often played tunes in jazz. 12-bar blues, rhythm changes, minor blues, a modal tune, and a couple of standards. The comps are written out in notation and tablature and include rhythms with forward motion, chords built in fourth intervals, parallel constant structure voicings, polychords, slash chords, etc. The focus is on developing a contemporary approach to rhythm, phrasing, chord voicings, voiceleading, chord substitution, and reharmonization. A play-along CD recording of the guitar comps with bass and drums helps get the sounds and rhythms in your ear. The theory of how the comping concepts are applied to the music is explained, with ideas on how to use them creatively. Introduction. Acknowledgements. Rhythm. Phrasing. Texture. CHORD VOICINGS. Voicings in Thirds. Drop-2 and Drop-3 voicings. Guide Tone Voicings. Voicings in Fourths. Voicings in Fourths and Pentatonic Scales. Voicings Derived from the Minor 6 Pentatonic Scale. Voicings Using Combinations of Intervals. Slash Chords. Polychords. VOICELEADING. Common Tones. Direction of Top Voice. Parallel Motion with Constant Structure Voicings. Intervallic Voiceleading. CHORD SUBSTITUTION AND REHARMONIZATION. Diatonic Substitution from the Third. Diatonic Passing Chords. Add a Related Ilmi7 Before Any Dominant 7. Alter Dominant 7 Chords That Resolve Down a Perfect 5th. Chromatic Approach. Dominant Approach. Cycle of Dominants as a Reharmonization Technique. Cycle of II-Vs as a Reharmonization Technique. Chromatically Ascending 4th. Monet. C Minor Blues. Blues In F. Rhythmystic. Soul Three. Whole Nother Standard.

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Creative Comping Proewe vir Jazz Guitar saamgestel deur Mark Boling. Vir Guitar. Alle. Saddle-steke, Rhythm. Friends. Privaat lesse Reeks. Jazz. Intermediêre-Gevorderde. Book. CD Set. 40 bladsye. Gepubliseer deur Mel Bay Publications, Inc. MB.20414BCD. ISBN 9780786671861. Jazz. 8,75 x 11,75 duim. Pianiste is die belangrikste bronne van inspirasie vir nuwe ontwikkelings in jazz kitaar comping. Tog kitaarspelers is stadig 'n comping woordeskat met harmoniese gesofistikeerdheid, subtiele voiceleading, en ritmiese buigsaamheid op die vlak van die beste kontemporêre pianiste te ontwikkel. Hierdie boek poog om die situasie reg te stel deur artikulering van 'n comping woordeskat in die konteks van ses van die mees dikwels gespeel liedjies in jazz. 12-bar blues, ritme veranderinge, klein blues, 'n modale deuntjie, en 'n paar van die standaarde. Die comps is geskryf in notasie en Tablature en sluit ritmes met vorentoe beweging, akkoorde gebou in die vierde intervalle, parallel konstante struktuur voicings, polychords, streep akkoorde, ens. Die fokus is op die ontwikkeling van 'n kontemporêre benadering tot ritme, frasering, koord voicings, voiceleading, koord vervanging, en reharmonization. 'N play-langs CD-opname van die kitaar comps met bas en tromme help kry die klanke en ritmes in jou oor. Die teorie van hoe die comping konsepte toegepas word om die musiek word verduidelik met idees oor hoe om dit te gebruik kreatief. Inleiding. Erkenning. Rhythm. Frasering. Tekstuur. Chord voicings. Voicings in derdes. Drop-2 en Drop-3 voicings. Guide Toon voicings. Voicings in vierdes. Voicings in vierdes pentatoniese toonlere. Voicings Afgelei van die Klein-6 pentatoniese toonleer. Voicings met kombinasies van intervalle. Sny Chords. Polychords. VOICELEADING. Common Tones. Rigting van die Top Voice. Parallelle beweging met konstante struktuur voicings. Intervallic Voiceleading. Chord substitusie en REHARMONIZATION. Diatoniese Vervanging van die Derde. Diatoniese slaag Chords. Voeg 'n Verwante Ilmi7 voordat enige dominante 7. Verander dominante 7 akkoorde wat Los Down 'n perfekte 5. Chromatiese. Dominante benadering. Siklus van tussendominante as 'n Reharmonization Ingenieurswese. Siklus van II-Vs as 'n Reharmonization Ingenieurswese. Chromatically Ascending 4. Monet. C Minor Blues. Blues in F. Rhythmystic. Soul Drie. Hele nother Standard.