Bladmusiek $65.00

Oorspronklik

Air Mail Special. Benny Goodman. Guitar sheet music. B-Flat Trumpet sheet music. Clarinet Solo sheet music. Drums sheet music. Percussion sheet music. Piano sheet music. Trombone sheet music. Advanced.

Vertaling

Air Mail Spesiale. Benny Goodman. Guitar bladmusiek. B-Flat Trumpet bladmusiek. Klarinet Solo bladmusiek. Dromme bladmusiek. Perkussie bladmusiek. Piano bladmusiek. Tromboon bladmusiek. Gevorderde.

Oorspronklik

Air Mail Special by Benny Goodman. Edited by Jeffrey Sultanof. Arranged by Jimmy Mundy. For big band. Solo Clarinet, 2 Alto Saxophones, 2 Tenor Saxophones, Baritone Saxophone, 4 Trumpets, 2 Trombones, Guitar, Piano, Bass, Drums. Swing. Medium Difficult. Score and parts. Published by Jazz Lines Publications. JL.JLP-8206. In 1941, Benny Goodman led the second of his great ensembles. Only Teddy Wilson, Irving Goodman, and arranger Jimmy Mundy remained from the 1935-39 band that jump-started the swing era of popular music. This band still played the music of Fletcher Henderson, but Eddie Sauter was contributing a great deal to its musical personality. This band would also highlight the early work of pianist. arranger Mel Powell. Air Mail Special was originally titled Good Enough To Keep , which was recording session-speak for "This may not be the performance that we want to release to the public, but let's hold on to it just in case. " Many of these alternate performances were eventually released to the public, in many cases to the consternation of the musicians themselves, who didn't enjoy some of their lesser efforts being heard. Of course, some alternate performances are better than the ones that were released, only held back because of a single mistake. It was Mundy who arranged this for the Goodman band, and he is even cut in on composer credit, a generous gesture on Benny's part, who also took a piece for himself. As we know, the tune was the sole creation of guitarist Charlie Christian, who wrote a number of pieces that Goodman played mostly in small-group settings. Mundy also arranged this for Count Basie and Harry James, and played it when he led his own big band in 1946. Please note that this is the complete arrangement from the original parts in the Benny Goodman library. Some sections were cut by Goodman, but restored here. Mundy makes interesting use of stop-time in this arrangement, and these sections should get extra attention so that the band sounds like one person. This arrangement, like all of Goodman's arrangements, was meant to be danced to, so it really should not be played too fast.

Vertaling

Air Mail Spesiale deur Benny Goodman. Geredigeer deur Jeffrey Sultanof. Gereël deur Jimmy Mundy. Vir big band. Solo klarinet, 2 Alto saxofoons, 2 Tenor saxofoons bariton saxofoon, 4 blaas, 2 Trombones, Kitaar, Klavier, bas, tromme. Swing. Medium Moeilike. Telling en dele. Gepubliseer deur Jazz Lines Publications. JL.JLP-8206. In 1941, Bennie Goodman het die tweede van sy groot ensembles. Slegs Teddy Wilson, Irving Goodman, en verwerker Jimmy Mundy gebly van die 1935-1939 band wat spring-begin die swing-era van populêre musiek. Hierdie band nog steeds die musiek van Fletcher Henderson gespeel, maar Eddie Sauter is dra 'n groot deel van sy musikale persoonlikheid. Hierdie band sal beklemtoon ook die vroeë werk van die pianis. verwerker Mel Powell. Air Mail Spesiale oorspronklik getiteld goed genoeg om te hou, wat die opname sessie-praat vir "Dit is dalk nie die prestasie wat ons wil vry te stel vir die publiek, maar laat ons vashou aan dit net in die geval. "Baie van hierdie alternatiewe optredes is uiteindelik vrygestel aan die publiek, in baie gevalle tot die ontsteltenis van die musikante self, wat nie geniet het nie 'n paar van hul mindere pogings om aangehoor. Natuurlik, 'n paar alternatiewe optredes is beter as die een wat vrygestel is, net terug gehou as gevolg van 'n enkele fout. Dit was Mundy wat hierdie gereël vir die Goodman-band, en hy is selfs sny op komponis krediet, 'n vrygewige gebaar op Benny se deel, wat ook 'n stuk vir homself geneem. Soos ons weet, is die deuntjie was die enigste skepping van kitaarspeler Charlie Christian, wat 'n aantal stukke wat Goodman gespeel meestal in klein-groep instellings geskryf. Mundy ook gereël dit vir Count Basie en Harry James, en het dit toe hy sy eie big band in 1946. Let daarop dat hierdie is die volledige reëling van die oorspronklike dele in die Benny Goodman biblioteek. Sommige dele gesny is deur Goodman, maar herstel hier. Mundy maak interessante gebruik van stop-time in hierdie reëling, en hierdie afdelings moet ekstra aandag te kry sodat die band klink soos een persoon. Hierdie reëling, soos almal van Goodman se reëlings, is bedoel om te dans word, so moet dit regtig nie te vinnig gespeel word.