Bladmusiek $75.95

Oorspronklik

Missa a 16 voci. Voice sheet music. Choir sheet music. Organ Accompaniment sheet music.

Vertaling

Missa a 16 voci. Voice bladmusiek. Koor bladmusiek. Orrel Begeleiding bladmusiek.

Oorspronklik

Missa a 16 voci composed by Carl Friedrich Christian Fasch. Edited by Ryan Kelly. For ST vocal soli, SATB choir. SATB. SATB. SATB, organ. This edition. Paperbound. Latin Masses. Full score. Language. Latin. 112 pages. Duration 23 minutes. Published by Carus Verlag. CA.2708300. ISBN M-007-14521-7. With Language. Latin. Latin Masses. Carl Friedrich Christian Fasch's Mass in 16 parts is remarkable for more than its unusual scoring. Inspired by the Italian church music style of Orazio Benevoli, it was composed in 1783 for the "Berliner Sing-Akademie", and revised by Fasch several times throughout his life in order to adapt the score to the vocal capabilities of his ensemble. The composer destroyed all earlier compositions, which probably contributed to the legendary fame which this mass has enjoyed since the 19th century. The mass was, however, only published in 1839 - around four decades after Fasch's death. The present edition is based on the version contained in the first printed edition. In addition to modern music notation, extensive performance materials. two choral scores, separate organ part. facilitate the rehearsal of this challenging work.

Vertaling

Missa a 16 voci composed by Carl Friedrich Christian Fasch. Geredigeer deur Ryan Kelly. For ST vocal soli, SATB choir. SATB. SATB. SATB, orrel. Hierdie uitgawe. Paper bound. Latyns-Massas. Volle telling. Taal. Latyns-. 112 bladsye. Duur 23 minute. Gepubliseer deur Carus Verlag. CA.2708300. ISBN M-007-14521-7. Met taal. Latyns-. Latyns-Massas. Carl Friedrich Christian Fasch se Mis in 16 dele is merkwaardig vir meer as sy ongewone scoring. Geïnspireer deur die Italiaanse kerkmusiek styl van Orazio Benevoli, was dit 'n paar keer saamgestel in 1783 vir die Berliner Sing-Akademie, en hersien deur Fasch sy hele lewe ten einde die telling aan te pas by die vokale vermoëns van sy ensemble. Die komponis vernietig al vroeër komposisies, wat waarskynlik bygedra het tot die legendariese gerug wat hierdie massa sedert die 19de eeu beleef. Die massa is egter slegs gepubliseer in 1839 - ongeveer vier dekades na Fasch se dood. Die huidige uitgawe is gebaseer op die weergawe wat in die eerste gedrukte uitgawe. In bykomend tot moderne musiek notasie, uitgebreide prestasie materiaal. twee koor tellings, aparte orrel deel. die repetisie van hierdie uitdagende werk te fasiliteer.