Bladmusiek $45.00

Oorspronklik

Concerto in One Movement for Marimba. piano reduction. Emma Lou Diemer. Marimba sheet music. Percussion sheet music. Piano sheet music. Advanced.

Vertaling

Concerto in een beweging vir Marimba. klavier vermindering. Emma Lou Diemer. Marimba bladmusiek. Perkussie bladmusiek. Piano bladmusiek. Gevorderde.

Oorspronklik

Concerto in One Movement for Marimba. piano reduction. composed by Emma Lou Diemer. 1927-. Percussion Ensemble. For Marimba Concerto. marimba. 4.5-octave. piano. Concertos. Medium difficult. Piano reduction. Duration 18. 00. Published by C. Alan Publications. CN.01832. So much music in a single. fast-slow-fast. movement. This concerto should be top priority for the serious marimbist. Perfect for a university concerto competition. perfect for the professional. The marimba part is difficult, but accessible, and the orchestra beautifully complements the soloist. A world-class composer demonstrates the height of her craft with this concerto. Emma Lou Diemer's Concerto in One Movement for Marimba was premiered in its original version March 21, 1991 at Mills College, Oakland, California by the Bay Area Women's Philharmonic with JoAnn Falletta conducting and Deborah Schwartz soloist. It was repeated on March 23 in San Francisco. The concerto was commissioned for the 10th anniversary season of the orchestra. The concerto was also performed April 13 and 14, 1991 by the Santa Barbara Symphony conducted by Varujan Kojian with Deborah Schwartz as soloist. It was recorded in June 2002 by Nathan Daughtrey with the Slovak Radio Symphony conducted by Joel Suben, and this recording is available from the publisher, C. Alan Publications, of Greensboro, North Carolina. In October, 2006, the composer made the wind ensemble version of the concerto, and this version was premiered March 1, 2007 in the Saint Vincent De Paul Church in Albany, New York with Felicity Cashman as soloist and The College of Saint Rose Wind Ensemble conducted by Robert Hansbrough. The instrumentation and general style of the concerto are imbued with the individuality of the tone color and technique of the marimba, reflected in the tremolos and glissandos as well as rhythms and melodic motives that echo or reinforce the ideas expressed by the solo instrument. There are two cadenzas and an extended solo passage for marimba in the slow middle section. In the last cadenza the soloist is joined by the percussion section of the orchestra. The spirit of the work is related somewhat to Vivaldi in its use of floating harmonic rhythms. slow-moving harmonies evolved through figuration. , and bears some harmonic relation to another of the composer's favorite writers of music, Ravel. The dynamic virtuoso, Deborah Schwartz, for whom the work was written, offered excellent editorial suggestions in the writing of the marimba part. The concerto was written to be enjoyed by all concerned, including first and foremost the audience who will hear it for the first time.

Vertaling

Concerto in een beweging vir Marimba. klavier vermindering. saamgestel deur Emma Lou Diemer. 1927 -. Perkussie Ensemble. Vir Marimba Concerto. marimba. 4.5-oktaaf. plan. Concerto. Medium moeilik. Piano vermindering. Duur 18. 00. Gepubliseer deur C. Alan Publications. CN.01832. Soveel musiek in 'n enkele. fast-stadig-vinnig. movement. Dit concerto moet die hoogste prioriteit vir die ernstige marimbist wees. Ideaal vir 'n universiteit concerto-kompetisie. ideaal vir die professionele. Die marimba deel is moeilik, maar toeganklik is, en die orkes pragtig vul die solis. 'N wêreldklas-komponis toon die hoogte van sy vaartuig met hierdie concerto. Emma Lou Diemer se Concerto in een beweging vir Marimba is première in sy oorspronklike weergawe 21 Maart 1991 by Mills College, Oakland, Kalifornië deur die Bay Area Women's Filharmoniese met JoAnn Falletta uitvoer en Deborah Schwartz solis. Dit was op 23 Maart herhaal in San Francisco. Die concerto is in opdrag vir die 10de verjaardag seisoen van die orkes. Die concerto is ook uitgevoer 13 April en 14, 1991 deur die Santa Barbara Simfonie uitgevoer deur Varujan Kojian met Deborah Schwartz as solis. Dit is in Junie 2002 aangeteken deur Nathan Daughtrey met die Slowaakse Radio Simfonie uitgevoer deur Joel Suben, en hierdie opname is beskikbaar van die uitgewer, C. Alan Publications, van Greensboro, Noord-Carolina. In Oktober 2006, het die komponis het die wind ensemble weergawe van die concerto, en hierdie weergawe is die première 1 Maart 2007 in die St Vincent De Paul Kerk in Albany, New York met Felicity Cashman as solis en Die Kollege van Saint Rose Wind Ensemble wat deur Robert Hansbrough. Die instrumentasie en algemene styl van die concerto is gevul met die individualiteit van die toonkleur en tegniek van die marimba, weerspieël in die tremolos en glissandos asook ritmes en melodiese motiewe wat eggo of versterk die idees deur die solo instrument. Daar is twee cadenzas en 'n uitgebreide solo gedeelte vir marimba in die stadige middel gedeelte. In die laaste cadenza die solis is verbind deur die perkussie-afdeling van die orkes. Die gees van die werk is ietwat verwant aan Vivaldi in die gebruik van drywende harmoniese ritme. stadig-bewegende harmonie ontwikkel deur figurasie. , En soms in harmoniese verhouding tot 'n ander van die komponis se gunsteling skrywers van musiek, Ravel. Die dinamiese virtuose, Deborah Schwartz, vir wie die werk geskryf is, aangebied uitstekende redaksionele voorstelle in die skryf van die marimba deel. Die concerto is geskryf deur alle belanghebbendes, insluitende die eerste plek die publiek, wat dit sal hoor vir die eerste keer geniet word.