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Oorspronklik

Tenebrae factae sunt. Choir sheet music.

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Tenebrae factae sunt. Koor bladmusiek.

Oorspronklik

Tenebrae factae sunt. Responsory in the Nocturn on Good Friday. Composed by Ko Matsushita. For SSATBB choir. Carus Contemporary. Contemporary choral music. Lent and Passiontide. Full score. Text language. Latin. 8 pages. Duration 6 minutes. Published by Carus Verlag. CA.964100. ISBN M-007-14354-1. With Text language. Latin. Lent and Passiontide. The Good Friday Responsory "Tenebrae factae sunt" for six-part chorus was commissioned in 2012 for Peking University Student Choir and was premiered at the "World Choir Games" in Cincinnati, Ohio, USA conducted by Hou Xijin. It is an ambitious work with a fervent intensity. Matsushita sets the two last words of Jesus, "Deus meus, ut quid me dereliquisti. "My God, why hast thou forsaken me". and "Pater, in manus tuas commendo spiritum meum". "Father, into thy hands I commend my spirit". as pained outcries in Stravinskyian harshness, in chords characterized by tritones, as a truly superhuman work of redemption whose Easter message of hope only appears in the last conciliatory F major chord. Although this work lies slightly beyond the upper limit of the musical and vocal technical demands of the "carus contemporary" series, it is well within the abilities of ambitious chamber choirs.

Vertaling

Tenebrae factae sunt. Responsory in the Nocturn on Good Friday. Saamgestel deur Ko Matsushita. Vir SSATBB koor. Carus Kontemporêre. Kontemporêre koormusiek. Geleen en die Passie. Volle telling. Teks taal. Latyns-. 8 bladsye. Duur 6 minute. Gepubliseer deur Carus Verlag. CA.964100. ISBN M-007-14354-1. Met teks taal. Latyns-. Geleen en die Passie. Die Goeie Vrydag Responsory "Tenebrae factae sunt" vir ses-deel refrein is in opdrag in 2012 vir Peking Universiteit Student koor en is première by die "World Choir Games" in Cincinnati, Ohio, VSA uitgevoer deur Hou Xijin. Dit is 'n ambisieuse werk met 'n vurige intensiteit. Matsushita die twee stelle laaste woorde van Jesus, "Deus meus, ut quid my dereliquisti. "My God, waarom het U My verlaat". en "Pater, in manus tuas commendo spiritum Meum". "Vader, in u hande gee Ek my gees". as angs krygsgeskreeu in Stravinskyian felheid, in akkoorde wat gekenmerk word deur tritones, as 'n werklik bomenslike werk van verlossing wie Easter boodskap van hoop kom net in die laaste versoenende F majeur koord. Alhoewel hierdie werk lê effens buite die boonste perk van die musikale en vokale tegniese vereistes van die "Carus kontemporêre" reeks, is dit goed binne die vermoëns van ambisieuse kamer kore.