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Oorspronklik

Musikalische Exequien I-III. Heinrich Schutz.

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Piano Exequien I-III. Heinrich Schutz.

Oorspronklik

Musikalische Exequien I-III composed by Heinrich Schutz. 1585-1672. Edited by Gunter Graulich. Arranged by Paul Horn. This edition. Paperbound. Stuttgart Urtext Edition. German title. Musikalische Exequien I-III. Requiem, Lent and Passiontide, Mourning, death. Full score. 64 pages. Published by Carus Verlag. CA.2027900. ISBN M-007-03399-6. Requiem, Lent and Passiontide, Mourning, death. Heinrich Schuetz composed the Musikalische Exequien SWV 279-281 for the funeral of his patron Prince Heinrich Posthumus Reuss 1635. 1636. Of the three parts, which were to be performed during three different sections of the funeral service, the first part, in the form of a sacred concerto for choir and soloists, is based on the numerous biblical passages which, in accordance with the instructions given by the deceased were to be recited at the coffin which the deceased himself had designed during his lifetime. This part is followed by a motet for double choir based on the text of a sermon. "Herr, wenn ich nur dich habe". , and at the conclusion of the hymn of praise to Simeon. "Herr, nun lassest du deinen Diener fahren". , a choir apart from the main choir intones "Selig sind die Toten" from heaven, so to speak. With this composition, written as a commission, Schuetz created one of the most artistic and heartfelt works of mourning ever written in the history of music. Musikalische Exequien I, SWV 279. op. 7 Teil I. Naked I came forth from my mother's body. - e-Moll. E minor. Musikalische Exequien II, SWV 280. op. 7 Teil II. Lord, if I have thee only. - a-Moll. A minor. Musikalische Exequien III, SWV 281. op. 7 Teil III. Lord, now dost thou grant thy true sevant. - Dorisch. Dorian.

Vertaling

Musiek Exequien I-III saamgestel deur Heinrich Schutz. 1585-1672. Geredigeer deur Gunter Graulich. Gereël deur Paul Horn. Hierdie uitgawe. Paper bound. Stuttgart Urtext Edition. Duitse titel. Piano Exequien I-III. Requiem, die vas en die Passie, rou, dood. Volle telling. 64 bladsye. Gepubliseer deur Carus Verlag. CA.2027900. ISBN M-007-03399-6. Requiem, Lydenstyd en Lydenstyd, rou, dood. Heinrich Schuetz saamgestel die Piano Exequien SWV 279-281 vir die begrafnis van sy beskermheer Prince Heinrich Posthumus Reuss 1635. 1636. Van die drie dele, wat was tydens drie verskillende afdelings van die begrafnisdiens, die eerste deel, in die vorm van 'n heilige concerto vir koor en soliste uitgevoer moet word, is gebaseer op die talle Bybelse gedeeltes wat in ooreenstemming met die instruksies . Hierdie deel is gevolg deur 'n motet vir dubbel koor gebaseer op die teks van 'n preek. Here, as ek net jy. En aan die einde van die lied van lof aan Simeon. Here, wat nou? Laat gaan u kneg. , 'N koor afgesien van die belangrikste koor intones Selig sind sterf Toten uit die hemel, om so te praat. Met hierdie samestelling, geskryf as 'n kommissie, Schuetz geskep een van die mees artistieke en opregte werke van rou ooit in die geskiedenis van musiek geskryf. Musiek Exequien Ek, SWV 279. op. 7 Teil I. Naked Ek het van my ma se liggaam. - E-Moll. E minor. Musiek Exequien II, SWV 280. op. 7 Teil II. Here, as ek jou net. - 'N-Moll. 'N minderjarige. Musiek Exequien III, SWV 281. op. 7 Teil III. Here, nou maak jy jou ware sevant verleen. - Dorisch. Dorian.