Bladmusiek $50.00

Oorspronklik

Double Image. piano reduction. Saxophone sheet music. Advanced.

Vertaling

Double Image. klavier vermindering. Saksofoon bladmusiek. Gevorderde.

Oorspronklik

Double Image. piano reduction. Double Concerto for 2 Saxophonists. Composed by David R. Gillingham. Chamber Ensemble. For 2 Saxophones & Piano. 2, solo saxophones. soprano, alto, tenor & baritone. piano. Medium difficult. Piano reduction. Duration 30. 00. Published by C. Alan Publications. CN.17062. Opening with a dark and somber set of variations, Double Image exploits the four instruments of the saxophone family. Beautiful, lyrical melodies glide through the second movement as the saxes begin their interplay. The third movement is an exciting romp from beginning to end. Truly a must for the advanced saxophone duo. Double Image was commissioned by Jeff Heisler and Shawn Teichmer, two former saxophone alumni from Central Michigan University. The work is a concerto in three movements that exploits four of the common instruments of the saxophone family as performed by two players. The first movement features the tenor and baritone saxophone, the second, the alto and the tenor saxophone and the third, soprano saxophones. The movements of the concerto are starkly contrasting. The first movement, Passacaglia Lamento, is a dark, somber and mysterious set of variations on a bass line consisting of chromatic mediant relationships and angular leaps. The solo baritone saxophone begins the thematic bass line and is then joined by the solo tenor saxophone. Variation I begins with keyboard percussion accompanying the horns on the theme with the solo tenor saxophone on cascading scale passages. The solo baritone saxophone joins the tenor on the tail of the theme with added chimes. Preceded by a short transition in the wind ensemble, Variation II is abbreviated and features a dance-like interplay between the two solo saxophones in asymmetrical meter. 16. Variation III ensues in which the solo saxophones alternate a skeletonized version of the theme in augmentation accompanied by ascending scales in the upper woodwinds. A heavy, ponderous interlude in the brass leads to Variation IV. Variation IV is perhaps the most dark and mysterious section of the movement that features a ghosted half-tone ostinato in the solo saxophones over only the harmony of the passacaglia. The tail of the variation is then played by low brass and woodwinds accompanied by piano and keyboard percussion. A brief brass fanfare leads to Variation V, which is a spirited duet by the solo saxophones alternating between 4. 4 and 7. 8 meter, with the wind ensemble accompanying on short articulations of the harmonic background. Horns, flutes and eventually trumpets, enter playing the tail of the theme culminating dramatically on four strongly articulated sonorities by the full ensemble with an underlying timpani solo diminishing into a coda using the head of the passacaglia and ending on an unresolved sonority. Movement II, Reveries, takes advantage of the two most expressive saxophones. in my opinion. , the alto and the tenor. The movement is dreamy consisting of beautiful, lyrical melodic lines, extended tertian harmonies and an array of shifting tonality. The movement is in free form and begins with a sort of 'sighing' melodic line that cascades downward and scale-wise. Both saxophones freely exchange this motive over shifting tone color. A variation of sorts follows with the solo saxophones exchanging the motive over a static F# minor tonality. An interlude follows in Bb Major, with an interplay between solo oboe and flute utilizing the motive which leads into a new section in A Major beginning with sweeping harp-like passages in the piano. The solo saxophones begin interplay amongst themselves on a contrasting motive consisting of rising and falling scale-based passages. The texture and dynamic of the section increase and rise to a dramatic moment which brings back the original descending motive in E Major. The passage diminishes in volume and segues into E Minor with the solo saxophones engaging in free development accompanied by the marimba and the piano. The development continues with a bubbly, staccato pattern in the clarinets and marimba and a return of the original motive in imitation between the solo saxophones in C Minor. A transition precipitates a change of mode into C Major and the movement concludes in dreamy fashion with the return of the descending motive and a coda beginning in A Major and coming to rest in Gb Major.

Vertaling

Double Image. klavier vermindering. Double Concerto vir 2 saxofonisten. Saamgestel deur David R. Gillingham. Kamer Ensemble. Vir 2 saxofoons. 2, solo saxofoon. sopraan, alt, tenoor. plan. Medium moeilik. Piano vermindering. Duur 30. 00. Gepubliseer deur C. Alan Publications. CN.17062. Opening met 'n donker en somber stel variasies, Double Image wedervaringe die vier instrumente van die saxofoon familie. Pragtige, liriese melodieë gly deur die tweede beweging as die Wikibooks begin om hul wisselwerking. Die derde beweging is 'n opwindende romp van begin tot einde. Voorwaar 'n moet vir die gevorderde saksofoon duo. Double Image is in opdrag van Jeff Heisler en Shawn Teichmer, twee voormalige saksofoon alumni uit Sentraal-Michigan Universiteit. Die werk is 'n concerto in drie bewegings wat wedervaringe vier van die algemene instrumente van die saxofoon familie soos uitgevoer deur twee spelers. Die eerste beweging funksies van die tenoor en bariton saxofoon, die tweede, die alt en die tenoor-saksofoon en die derde, sopraan saxofoon. Die bewegings van die concerto is strak kontras. Die eerste beweging, Passacaglia Lamento, is 'n donker, somber en geheimsinnig stel variasies op 'n baslyn wat bestaan ​​uit chromatiese mediantnoot verhoudings en hoek spronge. Die solo bariton saxofoon begin die tematiese baslyn en word dan saam met die solo tenoor-saksofoon. Variasie ek begin met klawerbord perkussie begeleiding van die horings op die tema met die solo tenoor-saksofoon op waterval toonleerpassasies. Die solo bariton saxofoon sluit aan by die tenoor op die stert van die tema met meer chimes. Voorafgegaan deur 'n kort oorgang in die wind ensemble, is variasie II verkorte en beskik oor 'n dans-agtige wisselwerking tussen die twee solo saxofoon in asimmetriese meter. 16. Variasie III breek waarin die solo saxofoon afwisselend n skeletonized weergawe van die tema in aanvulling vergesel deur stygende skubbe het in die boonste houtblasers. 'N swaar, swaar tussenspel in die koper lei tot variasie IV. Variasie IV is dalk die mees donker en misterieus deel van die beweging wat beskik oor 'n fantoom halwe toon ostinato in die solo saxofoon oor net die harmonie van die passacaglia. Die stert van die variasie word dan gespeel deur lae koper en houtblasers vergesel deur klavier en klawerbord perkussie. 'N Kort koper fanfare lei tot variasie V, wat is 'n begeesterde duet deur die solo saxofoon afwisselend 4. 4 en 7. 8 meter, met die wind ensemble meegaande op kort artikulasies van die harmoniese agtergrond. Horings, fluite en uiteindelik blaas, tree die speel van die stert van die tema hoogtepunt dramaties op vier sterk verwoord sonorities deur die volle ensemble met 'n onderliggende timpani solo dalende in 'n koda deur die hoof van die passacaglia en eindig op 'n onopgeloste sonoriteit. Beweging II, mymering, neem voordeel van die twee mees uitdrukkingsvolle saxofoon. In my opinie. Die alt en tenoor die. Die beweging is dromerige, bestaande uit 'n pragtige, liriese melodiese lyne, uitgebreide daagse koors harmonieë en 'n verskeidenheid van die verskuiwing tonaliteit. Die beweging is in 'n vrye vorm en begin met 'n soort van 'n sug 'melodiese lyn wat watervalle afwaartse en skaal-wyse. Beide saxofoon vrylik ruil die motief oor die verskuiwing van toonkleur. Разновидностью рода следует с соло саксофоны обмена мотив над статической F. 'N tussenspel volg in Bb majeur, met 'n wisselwerking tussen solo hobo en fluit gebruik te maak van die motief wat lei na 'n nuwe afdeling in 'n Groot begin met vee harp-agtige gange in die klavier. Die solo saxofoon begin wisselwerking tussen hulle op 'n kontrasterende motief bestaan ​​uit stygende en dalende skaal-gebaseerde gedeeltes. Die tekstuur en dinamiek van die artikel verhoog en lei tot 'n dramatiese oomblik wat bring terug die oorspronklike orde motief in E majeur. Die gedeelte verminder in volume en segues in E mineur met die solo saxofoon innemende in 'n vrye ontwikkeling vergesel deur die marimba en klavier. Die ontwikkeling gaan voort met 'n borrelende, staccato patroon in die klarinette en marimba en 'n opbrengs van die oorspronklike motief in nagemaakte tussen die solo saxofoon in C mineur. A oorgang presipiteer 'n verandering van mode in C-majeur en die beweging sluit in dromerige mode met die terugkeer van die dalende motief en 'n koda begin in A Majeur en kom tot rus in Gb Groot.