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Oorspronklik

Le Carnaval Des Animaux. Camille Saint-Saens. Saxophone sheet music.

Vertaling

Karnaval van die Diere. Camille Saint-Saens. Saksofoon bladmusiek.

Oorspronklik

Le Carnaval Des Animaux composed by Camille Saint-Saens. 1835-1921. Arranged by Christoph Enzel. Saxophone Quartet. For Saxophone Quartet. SATB. Full Score and Set of Parts. Published by Advance Music. AV.7667. Who does not know carnival of the animals with its music bursting with joy of living, grotesque humour, virtuosity and incomparable charm. although its composer imposed a performance ban upon his work merely a few years after he had written the piece in february 1886, it is probably one of the best-known compositions within today's classical concert repertory. in spring 2004, i decided to venture on the task of arranging this piece - which was originally scored for two pianos, a string quartet, double bass, flute, clarinet and xylophone - for my saxophone quartet clair-obscur. with some movements everything worked out well right from the start. for others, however, there existed four of five different versions, which we tested, dismissed, altered until we finally found a perfect solution in the form of the arrangement on hand offering each musician of the quartet the opportunity to exhibit his or her talents as a soloist and, at the same time, as a member of the ensemble. yet, this is not the only reason why this piece is one of the cornerstones of our present repertory. innumerable performances - whether for children or in the concert hall, whether presented with the german comedian loriot's well-known verses to accompany it or in its classical concertante version - have shown that this arrangement of carnival of the animals electrifies every audience. christoph enzel.

Vertaling

Karnaval van die Diere saamgestel deur Camille Saint-Saens. 1835-1921. Gereël deur Christoph Enzel. Kwartet. Vir saxofoon kwartet. SATB. Volle telling en 'n stel Parts. Gepubliseer deur Advance Musiek. AV.7667. Wat nie Karnaval van die Diere met sy musiek bars met vreugde van die lewe, groteske humor, virtuositeit en besig sjarme weet. Hoewel die komponis opgelê 'n verbod op die prestasie van sy werk slegs 'n paar jaar nadat hy die stukkie geskryf het in Februarie 1886, is dit waarskynlik een van die bekendste komposisies in vandag se klassieke konsert repertoire. in die lente van 2004, het ek besluit om te waag op die taak van die reël van hierdie stuk - wat oorspronklik behaal vir twee klaviere, 'n strykkwartet, kontrabas, fluit, klarinet en xilofoon - vir my kwartet clair obscurClair-obscur/chiaroscuroClair-obscur. met 'n paar bewegings alles goed uitgewerk reg van die begin. vir ander, maar daar bestaan ​​vier van vyf verskillende weergawes, wat ons getoets het, van die hand gewys, verander totdat ons uiteindelik 'n perfekte oplossing in die vorm van die reëling op die hand wat elke musikant van die kwartet die geleentheid om sy of haar talente ten toon te stel as 'n solis, en op dieselfde tyd, as 'n lid van die ensemble. Tog, dit is nie die enigste rede waarom hierdie stuk is een van die hoekstene van ons huidige repertoire. ontelbare vertonings - hetsy vir kinders of in die konsertsaal, of aangebied met die Duitse komediant loriot se bekende verse om dit te vergesel of in sy klassieke concert weergawe - het getoon dat hierdie reëling van Karnaval van die Diere energieke elke gehoor. Christoph Enzel.