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Oorspronklik

Contre qui, rose. Against whom, rose. Morten Lauridsen. A Cappella sheet music.

Vertaling

Teen wat gestyg. Teen wie gestyg. Morten Lauridsen. A Cappella bladmusiek.

Oorspronklik

Contre qui, rose. Against whom, rose. from Les Chansons des Roses. Composed by Morten Lauridsen. 1943-. For Choral. SATB a cappella. Peermusic Classical. Softcover. 8 pages. Peermusic #61843-121. Published by Peermusic. HL.228802. In addition to his vast output of German poetry, Rainer Maria Rilke. 1875-1926. composed nearly 400 poems in French. His poems on roses struck me as especially charming, filled with gorgeous lyricism, deftly crafted and elegant in their imagery. These exquisite poems are primarily light, joyous and playful, and the musical settings are designed to enhance these characteristics and capture the delicate beauty and sensuousness of the poetry. Distinct melodic and harmonic materials recur throughout the cycle, especially between Rilke's poignant “Contre qui, rose”. set as a wistful nocturne. and his moving “La rose complète. ” The final piece, “Dirait-on,” is composed as a tuneful chanson populaire, or folksong, that weaves together two melodic ideas first heard in fragmentary form in preceding movements. --Morten Lauridsen.

Vertaling

Teen wat gestyg. Teen wie gestyg. van Les Chan Sons die Roses. Saamgestel deur Morten Lauridsen. 1943 -. Vir Choral. SATB a cappella. Peermusic Klassiek. Softcover. 8 bladsye. Peermusic. Gepubliseer deur Peermusic. HL.228802. Benewens sy groot produksie van die Duitse poësie, Rainer Maria Rilke. 1875-1926. saamgestel byna 400 gedigte in Frans. Sy gedigte op rose het my opgeval as veral sjarmante, gevul met pragtige liriese, behendig gemaak en elegant in hul beelde. Hierdie pragtige gedigte is hoofsaaklik lig, vreugdevolle en speels, en die musikale instellings is ontwerp om hierdie eienskappe te verbeter en vang die delikate skoonheid en sensuousness van die poësie. Duidelike melodiese en harmoniese materiaal herhaal die hele siklus, veral tussen Rilke se aangrypende "Contre qui, opgestaan". stel as 'n peinsende Nocturne. en sy beweeg "La rose complète. "Die finale stuk," Dirait-op, "is saamgestel as 'n goed in die gehoor chanson populêre, of volksliedjie, wat weef twee melodiese idees eerste in gefragmenteerde vorm gehoor in die voorafgaande bewegings saam. - Morten Lauridsen.