Bladmusiek $120.00

Oorspronklik

Providence. David Gillingham. B-Flat Trumpet sheet music. Horn sheet music. Grade 5.

Vertaling

Providence. David Gillingham. B-Flat Trumpet bladmusiek. Horn bladmusiek. Graad 5.

Oorspronklik

Providence composed by David Gillingham. Arranged by Geoffrey Brand. For concert band. Piccolo, Flute 1, Flute 2, Oboe 1. 2, Bassoon 1. 2, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bass Clarinet, Eb Contrabass Clarinet, Alto Saxophone 1. 2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, Horn 1. 2, Horn 3. 4, Tr. Grade 5. Score and parts. Duration 9. 50. Published by C. Alan Publications. CN.09960. Beginning with a questioning motive as man questions the meaning of his own life, new themes arise leading to a lovely statement by solo flute and harp. These lyrical and expressive statements allude to the spirituality and meaning we all seek. A quiet benediction brings Providence to a close. Providence was commissioned by the Michigan State University Bands, John Whitwell, conductor. The work was originally to be in honor of the retirement of long time Theory Professor, Dr. Ted Johnson. Unfortunately, Dr. Johnson passed away on April 21, 2003, before any sketches of the new work had begun. I had spoke with Dr. Johnson some months before his death about the work that would be in his honor, asking him what kind of work he thought I should write. His response was basically to leave the creative endeavor in my hands as he knew and admired my music. He did add, however, that he was a bit old fashioned and had an affinity for the dramatic music of the Romantic period, especially the soaring horn parts written by Richard Strauss. As it turns out, I have featured the horn section in this work. Dr. Johnson touched a multitude of lives during his career. I was but one of hundreds of graduate students that was positively touched by his humanity and superb teaching skills. I will be eternally grateful, as will so many others. Richard Blatti, Associate Director of Bands at The Ohio State University sums up his feelings for Dr. Johnson as follows. it's more than theoretical concepts or analytical techniques that you taught me. You gave me such inspiration, a renewed love for learning, a fresh approach to problem-solving-and the greatest gift of all-you taught me how to teach. " Dr. Johnson lived an extraordinary life and had such a major influence on so many other lives. His wonderful life and the gifts that he passed on were no accident. John Whitwell, Director of Bands at Michigan State University, has told me that such things happen because of "divine guidance" or "providence". This is the derivation for the title of the work. Ted Johnson authored two books, which were analyses of J. S. Bach's Two-Part and Three-Part Inventions. We all knew how much he revered the work of Bach. Three works by J. S. Bach were performed at his memorial service on April 24, 2003. One of these works, the aria Bist du bei mir. "Stay Thou Nearby". , is perhaps one of Bach's most beloved melodies. I chose this work to be the centerpiece for all the melodic material in Providence. The work begins in a sort of questioning fashion, as a man questions the meaning of his own life. The oboe sings the first four notes of the aria. Bist du bei mir. with an octave displacement of the fourth note. This motive is heard throughout the piece. The mystery and questioning grows and segues into a murmur by clarinets and marimba over which a can ensues on motives derived from the aria. At the conclusion of the canon, low brass state the beginning of the aria and a fugato on the first four notes of the aria follows. The fugato concludes with dissonant confusion but resolves into consonance and leads to a lovely statement by solo flute accompanied by harp. The melodic material for the flute solo is new and its lyrical and expressive quality alludes to spirituality and the meaning of life that we all seek. Turmoil follows as if to remind us of the ultimate reality of the tribulations of life. Counterpoint and dissonance abound in this section along with a pounding solo by timpani leading to a dark march on the first three notes of the aria. The march grows incessantly and finally leads to a joyous entrance of the aria theme by the horns and is now joined by the flute solo heard earlier, this time in the low brass. Woodwinds accompany on a sort of ostinato fashioned from aria motives. The section affirms that providence does, in fact, exist in our lives. A quiet benediction brings the work to closure.

Vertaling

Providence saamgestel deur David Gillingham. Gereël deur Geoffrey Brand. Vir konsert orkes. Piccolo, Fluit 1, 2 fluit, hobo 1. 2, fagot 1. 2, BB klarinet 1, BB klarinet 2, BB klarinet 3, basklarinet, Eb kontrabas klarinet, saxofoon 1. 2, saxofoon, bariton saxofoon, BB trompet 1, BB Trumpet 2, BB trompet 3, Horn 1. 2, 3 Horn. 4, Tr. Graad 5. Telling en dele. Duur 9. 50. Gepubliseer deur C. Alan Publications. CN.09960. Begin met 'n ondervraging motief as man vrae die betekenis van sy eie lewe, nuwe temas ontstaan ​​wat gelei het tot 'n pragtige verklaring deur solo fluit en harp. Hierdie liriese en uitdrukkingsvolle state verwys na die geestelike en betekenis wat ons soek almal. 'N rustige seën bring Providence tot 'n einde. Providence is in opdrag van die Michigan State University Bands, John Whitwell, dirigent. Die werk was oorspronklik te wees in die eer van die aftrede van 'n lang tyd teorie Professor, Dr Ted Johnson. Ongelukkig, Dr Johnson oorlede op 21 April 2003, voor enige sketse van die nuwe werk begin. Ek met Dr Johnson het het 'n paar maande voor sy dood oor die werk wat in sy eer sou wees, om Hom te vra watter soort werk wat hy het gedink ek moet skryf. Sy antwoord was basies die kreatiewe poging in my hande te verlaat as hy geweet het en bewonder my musiek. Hy het by te voeg, maar dat hy 'n bietjie outydse en het 'n affiniteit vir die dramatiese musiek van die Romantiese tydperk, veral die stygende horing dele geskryf deur Richard Strauss. Soos dit blyk, het ek featured horing artikel in hierdie werk. Dr Johnson aangeraak 'n menigte van lewens tydens sy loopbaan. Ek was maar net een van honderde nagraadse studente wat positief geraak deur sy menslikheid en 'n uitstekende onderrig van vaardighede. Ek sal vir ewig dankbaar, net soos so baie ander. Richard Blatti, mede-direkteur van die bande om die Ohio State University som sy gevoelens vir Dr Johnson soos volg. dit is meer as teoretiese konsepte of analitiese tegnieke wat jy my geleer het. Jy het my so 'n inspirasie, 'n hernude liefde vir leer, 'n nuwe benadering tot die probleem oplos-en die grootste geskenk van alle-jy het my geleer hoe om te leer. "Dr Johnson het 'n buitengewone lewe en het so 'n groot invloed op so baie ander lewens. Sy wonderlike lewe en die geskenke wat hy oorgedra was geen ongeluk. John Whitwell, Direkteur van Bands by die Michigan State University, het my vertel dat sulke dinge gebeur as gevolg van "goddelike leiding" of "voorsienigheid". Dit is die afleiding vir die titel van die werk. Ted Johnson die outeur van twee boeke, wat die ontleding van JS Bach se twee-deel en drie dele Inventions. Ons almal het geweet hoe baie hy die werk van Bach vereer. Drie werke deur JS Bach is op sy roudiens uitgevoer op April 24, 2003. Een van hierdie werke, die aria Bist du bei mir. "Bly Jy Naby". , Is dalk een van Bach se mees geliefde melodieë. Ek het hierdie werk gekies het om die middelpunt te wees vir al die melodiese materiaal in Providence. Die werk begin in 'n soort van ondervraging mode, as 'n man bevraagteken die betekenis van sy eie lewe. Die hobo sing die eerste vier note van die aria. Is jy met my. met 'n oktaaf ​​verplasing van die vierde noot. Hierdie motief dwarsdeur die stuk gehoor. Die geheim en bevraagtekening groei en segues in 'n gemor deur klarinette en marimba oor wat 'n blikkie breek op motiewe afgelei van die aria. Aan die einde van die kanon, lae koper stel die begin van die aria en 'n fugato op die eerste vier note van die aria volg. Die fugato sluit af met dissonante wanorde nie, maar besluit om in harmonie en lei tot 'n pragtige verklaring deur solo fluit vergesel deur harp. Die melodiese materiaal vir die fluit solo is 'n nuwe en sy liriese en ekspressiewe kwaliteit verwys na spiritualiteit en die betekenis van die lewe wat ons almal soek. Onrus volg asof ons te herinner aan die uiteindelike werklikheid van die verdrukking van die lewe. Kontrapunt en onenigheid in oorvloed in hierdie afdeling saam met 'n hamer solo deur timpani wat lei tot 'n donker optog op die eerste drie note van die aria. Die optog groei aanhoudend en uiteindelik lei tot 'n vreugdevolle ingang van die aria tema by die horings en is nou saam met die fluit solo gehoor vroeër, hierdie keer in die lae koper. Houtblasers vergesel op 'n soort van ostinato outydse uit aria motiewe. Die artikel bevestig dat voorsiening maak, in werklikheid, bestaan ​​in ons lewens. 'N rustige seën bring om die werk te sluiting.