Bladmusiek $60.00

Oorspronklik

Cantata Academica, Carmen basiliense, Op. 62. Benjamin Britten. Voice sheet music. Choir sheet music.

Vertaling

Kantate Academica, Carmen basiliense, Op. 62. Benjamin Britten. Voice bladmusiek. Koor bladmusiek.

Oorspronklik

Cantata Academica, Carmen basiliense, Op. 62. 1959. Vocal Score. Composed by Benjamin Britten. 1913-1976. For Choral, Chorus, Orchestra. Vocal Score. BH Large Choral. 66 pages. Boosey & Hawkes #M060014024. Published by Boosey & Hawkes. HL.48008886. Take advantage of this over-stock pricing while supplies last. for SATB soloists, chorus and orchestra. Scoring. IIpicc. , 2, 2, 2. 4, 2, 3, 1. timps. 4 perc. trng, tamburo militaire, tamb, cymb, Chinese block, bd, t-t, xyl, glock, bells in C. 2 harps. II ad lib. pf. cel ad lib. strings. Text. in Latin compiled from the charter of the University, and from older orations in praise of Basle by Bernhard Wyss. Publisher. Boosey & Hawkes. Difficulty level. for chorus. Britten's genius lifts this work above being just a worthy celebration of the 500th anniversary of the foundation of Basle University. It is tongue-in-cheek and mockingly non-academic while referring all the time to academic musical forms and formulae. It is written in two parts. everything is in the statutory Latin including the titles of the parts - Pars I and Pars II. The titles of the movements show Britten's intention to show off a wide variety of techniques. Here are some examples. Chorale. Alla Rovescio. the theme is given and responded to with the same melody upside down. Recitativo. Tema seriale con fuga. Canone ed ostinato. There is a good deal of humour here. There are seven movements in Pars I and six in Pars II. The tenor soloist is given three florid recitatives, accompanied only by a piano, which act as bridges between other orchestrally accompanied movements. Of these the most noteworthy are the Arioso con canto popolare for soprano solo with tenors and basses who hum a student song. another terrific Britten scherzo. and a wonderfully raucous final pair of movements. Canon ed ostinato and Corale con canto. where Britten seems to be aping the Vivat Regina. cries in Parry's I was glad or encouraging the kind of noisy 'I'm from the best university' kind of student touchline shout. This has outrageously high notes for the tenors. top B. which further endorse this feeling. There are real echoes of the Spring Symphony. see separate entry. final movement here which are further underlined by the last section of the Cantata which brings in the bells, piano, huge percussion and the inevitable chorale in which the choir sings 'that a free academy may thrive in a free community, for ever the ornament and treasure of illustrious Basle'. This may not be Britten at his most soul-searching but, as always, there is plenty here to enjoy, especially if the work is not taken too seriously. It is a celebratory, occasional piece and it could be well taken up by other academic establishments celebrating big anniversaries. The chorus parts are not very difficult though they do present challenges for the choir - not least in having tenors capable of those very high notes at the end. The Tema seriale con fuga is sinewy and needs careful tuning. It also has the subject regularly given upside down after its initial sounding by the basses. All good fun. Duration. 21 minutes. Paul Spicer, Lichfield, 2011.

Vertaling

Kantate Academica, Carmen basiliense, Op. 62. 1959. Sang telling. Saamgestel deur Benjamin Britten. 1913-1976. Vir Choral, koor, orkes. Sang telling. BH Groot Choral. 66 bladsye. Буси. Gepubliseer deur Boosey. HL.48008886. Neem voordeel van hierdie oor-voorraad pryse terwyl voorrade laaste. vir SATB soliste, koor en orkes. Scoring. IIpicc. , 2, 2, 2. 4, 2, 3, 1. timps. 4 slagw. trng, tamburo militêre, tamb, cymb, Chinese blok, bd, TT, xyl, Glock, klokke in C. 2 siters. II ad lib. pf. Cel ad lib. snare. Teks. in Latyns saamgestel uit die Handves van die Universiteit, en van ouer toesprake in die lof van Basel deur Bernhard Wyss. Uitgewer. Boosey. Moeilikheidsgraad. vir koor. Britten se geniale lig hierdie werk bo om net 'n waardige viering van die 500 herdenking van die stigting van die Universiteit van Basel. Dit is tong-in-die-kies en spottend nie-akademiese terwyl verwys al die tyd tot akademiese musikale vorme en formules. Dit is in twee dele geskryf. alles is in die statutêre Latyns insluitend die titels van die dele - Pars Ek en Pars II. Die titels van die bewegings wys Britten se voorneme om te wys af 'n wye verskeidenheid van tegnieke. Hier is 'n paar voorbeelde. Koor. Op Handrughou. die tema word en daarop gereageer met dieselfde melodie onderstebo. Recitativo. Tema reeks ontsnapping. Canon en hardkoppig. Daar is 'n goeie deel van die humor hier. Daar is sewe bewegings in Pars Ek en ses in Pars II. Die tenoor solis gegee drie fleurige resitatiewe, begelei deur 'n klavier, wat as brûe tussen ander orchestrally vergesel bewegings tree. Van hierdie die mees noemenswaardige is die Arioso con Canto popolare vir sopraan solo met tenore en basse wat 'n student liedjie neurie. 'n ander geweldige Britten scherzo. en 'n wonderlike hees finale paar bewegings. Canon en hardkoppig en koorsang met. waar Britten blyk te wees aping die Vivat Regina. huil in Parry se ek is bly of aanmoediging van die aard van die rumoerige "Ek is van die beste universiteit soort student kantlyn skree. Dit het buitensporig hoë note vir die tenore. top B. wat verder onderskryf hierdie gevoel. Daar is 'n werklikheid eggo's van die lente Symphony. sien aparte. finale beweging hier wat verder onderstreep deur die laaste gedeelte van die Kantate wat in die klokke, klavier, groot perkussie en die onvermydelike koraal wat die koor sing 'wat 'n gratis Akademie kan floreer in 'n vrye gemeenskap, vir ewig die ornament en bring skat van roemryke Basel '. Dit kan nie Britten by sy mees selfondersoek, maar, soos altyd, daar is baie hier geniet, veral as die werk is nie te ernstig opgeneem. Dit is 'n feestelike, Sosiale stuk en dit kan goed opgeneem word deur ander akademiese instellings vier groot herdenkings. Die koor dele is nie baie moeilik al is hulle nie teenwoordig uitdagings vir die koor - nie die minste nie in staat om tenore van daardie baie hoë note aan die einde. Die Tema seriale con fuga is seningrige en moet versigtig tuning. Dit het ook die onderwerp gereeld gegee onderstebo na sy aanvanklike klinkende deur die basse. Alle goeie pret. Duur. 21 minute. Paul Spicer, Lichfield, 2011.