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Oorspronklik

Quartet Op 12. Felix Bartholdy Mendelssohn. Flute sheet music.

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Quartet Op 12. Felix Bartholdy Mendelssohn. Fluit bladmusiek.

Oorspronklik

Quartet Op 12 composed by Felix Bartholdy Mendelssohn. 1809-1847. Arranged by Robert Rainford. For flute quartet. 2 flutes, alto flute, bass flute. Score and Parts. Published by Forton Music. FT.FM385. ISBN 979-0-57048-284-9. Flute Quartet. 2 flutes, alto flute, bass flute. - Mendelssohn began work on his first string quartet in Berlin, but did not complete it until 1829 when he was in London, a city he visited frequently throughout his life. Like all his quartets, it consists of four movements, each with a distinct character. The first starts with a slow introduction followed by a flowing lyrical first movement. The second movement. titled 'Canzonetta'. has many similarities to the incidental music Mendelssohn composed for A Midsummer Nights Dream, with fluttering semiquavers and all parts taking flight at times. The third movement starts with a slow, hymn-like melody that builds in intensity until it breaks out into a rush of semiquavers, before settling back to a calm finish. The finale of the quartet is an exciting, Tarantella-like romp, with racing quavers alternating with longer phrases. Melodies switch between parts until everyone joins together in unison passages convering just about the full range of each instrument. This is interrupted by the themes of the very first movement, briefly first of all. The Tarantella tries to re-assert itself, but the first themes will not be denied, and brings the whole piece to a close. In this arrangement, all parts share in the melodic interest. Flute 1 uses just about the whole range of the instrument, and requires some nimble fingers and neat articulation. Flute 2 doesn't ascend quite as high, but still requires good technique. The alto and bass flute parts contribute equally to the quartet as a whole, and will need some good tonguing particularly in the second movement. As in all quartet playing, communication between the players is paramount to get the maximum out of this lovely composition.

Vertaling

Quartet Op 12 gekomponeer deur Felix Mendelssohn Bartholdy. 1809-1847. Gereël deur Robert Rainford. Vir fluit kwartet. 2 fluite, altfluit, bass fluit. Telling en Parts. Gepubliseer deur Forton Musiek. FT.FM385. ISBN 979-0-57048-284-9. Fluit Quartet. 2 fluite, altfluit, bass fluit. - Mendelssohn begin werk aan sy eerste strykkwartet in Berlyn, maar het dit nie voltooi nie, totdat 1829 toe hy in Londen, 'n stad het hy gereeld besoek sy hele lewe. Soos al sy kwartette, dit bestaan ​​uit vier bewegings, elk met 'n afsonderlike karakter. Die eerste begin met 'n stadige inleiding, gevolg deur 'n vloeiende liriese eerste beweging. Die tweede beweging. getiteld 'Canzonetta'. het baie ooreenkomste met die toevallige musiek Mendelssohn saamgestel vir 'n Midsummer Nights Dream, met wapperende sestiende-note en alle dele neem vlug by tye. Die derde beweging begin met 'n stadige, lied soos melodie wat bou in intensiteit totdat dit breek uit in 'n stormloop van sestiende-note, voor die vestiging terug na 'n kalm afwerking. Die finale van die kwartet is 'n opwindende, Tarantella-agtige romp, met racing agstenote afgewissel met meer frases. Melodieë wissel tussen dele totdat almal sluit saam in harmonie gange convering net oor die volle omvang van elke instrument. Dit word onderbreek deur die temas van die heel eerste beweging, kortliks in die eerste plek. Die Tarantella probeer hervestig nie, maar die eerste temas sal nie ontken word nie, en bring die hele stuk tot 'n einde. In hierdie reëling, alle dele te deel in die melodiese belang. Fluit 1 gebruik net oor die hele spektrum van die instrument, en vereis 'n ratse vingers en netjies artikulasie. Fluit 2 nie klim heeltemal so hoog, maar nog steeds vereis goeie tegniek. Die Alto en die bas fluit dele gelyke mate tot die kwartet as 'n geheel, en sal 'n paar goeie tongslag moet veral in die tweede beweging. Soos in alle kwartet speel, kommunikasie tussen die spelers is uiters belangrik om die maksimum uit te kry van hierdie pragtige samestelling.