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Oorspronklik

Memento Mori -- An AIDS Requiem. James Adler. Choir sheet music.

Vertaling

Memento Mori - 'n Vigs-Requiem. James Adler. Koor bladmusiek.

Oorspronklik

Memento Mori -- An AIDS Requiem. TTBB Chorus and Soloists. English, Hebrew, and Latin languages. Composed by James Adler. Choir Sacred. For Orchestra. Men's Choir. Choral Worship Cantata. Larger Works. Masterworks. Score. 20th Century. Masterwork. Sacred. 152 pages. Published by Alfred Music. AP.44274. ISBN 1470620243. 20th Century. Masterwork. Sacred. James Adler's Memento Mori. An AIDS Requiem is an oratorio for soloists, men's chorus, and orchestra. It is dedicated to those who have succumbed to AIDS. A 75-minute work in nine movements, Memento Mori combines traditional English, Hebrew, and Latin texts with original prose and poetry by Quentin Crisp, Philip Justin Smith, Denise Stokes, and Bill Weaver. Memento Mori was commissioned by the Atlanta Gay Men's Chorus. Of its 1996 world premiere in Atlanta, Derrick Henry. The Atlanta Journal-Constitution. wrote, "Employing an eclectic, predominately lyrical musical language, Adler writes for both chorus and orchestra with uncommon imagination.

Vertaling

Memento Mori - 'n Vigs-Requiem. TTBB Chorus and Soloists. English, Hebrew, and Latin languages. Composed by James Adler. Koor Heilige. Vir Orkes. Mannekoor. Choral aanbidding Kantate. Groter Werke. Meester. Telling. 20ste eeu. Meesterwerk. Heilige. 152 bladsye. Gepubliseer deur Alfred Musiek. AP.44274. ISBN 1470620243. 20ste eeu. Meesterwerk. Heilige. James Adler's Memento Mori. An AIDS Requiem is an oratorio for soloists, men's chorus, and orchestra. It is dedicated to those who have succumbed to AIDS. A 75-minute work in nine movements, Memento Mori combines traditional English, Hebrew, and Latin texts with original prose and poetry by Quentin Crisp, Philip Justin Smith, Denise Stokes, and Bill Weaver. Memento Mori was commissioned by the Atlanta Gay Men's Chorus. Of its 1996 world premiere in Atlanta, Derrick Henry. The Atlanta Journal-Constitution. wrote, "Employing an eclectic, predominately lyrical musical language, Adler writes for both chorus and orchestra with uncommon imagination.