Bladmusiek

Oorspronklik

Salve radix. Anonymous. A cappella. Sacred , Motet. Language. Latin. ATTB.

Vertaling

Hi radix. Anonymous. A cappella. Heilige, Koraalmotet. Taal. Latin. ATTB.

Oorspronklik

This unique piece consists of a two-in-one canon at the upper fourth, and both canonic parts are notated. on a circular stave, on facing pages of the source, which each surround the image of a rose, representative of. the House of Tudor. as perhaps is the enigmatic text of the piece. The visual element of the each circle is more. than purely decorative. the piece is laid out as follows, in a palindromic form. Bars and. sections. 1-8. , 9-27. , 28-32. , 33-49. B'. and 50-63. A'. At two separate points does the music force itself down a semitone through the necessity to add musica ficta. successively in the form of flats. this treatment is, unlike the usual implications of musica ficta, mandatory for. the integrity of the harmony of this piece, and not merely supplementary or cadentially decorative. this has here. been indicated editorially through the use of modern key signatures. not present in the source. which represent a. writing out of the musica ficta required by each of the two successive 'pitch spirals', which necessitates the use of a. practically inadmissable B double-flat in the key signatures of the. Superius. Alto. and the. Tenor. Tenor II. an extra flat is necessary for these parts if they are to be identical transpositions of their respective canonic sources. Royal 11 E. xi is the sole source for this work. the spiral pages are the first musical items of the set. , and is yet anonymous. a possible ascription might be to Petrus de Opiciis, perhaps the originator or commissioner of the work. there is an. inscription on the first, otherwise blank page of the manuscript which reads, "Me fieri ac componi fecit PO 1516". P. O. caused me to be made and assembled, 1516. , perhaps Petrus himself. , and whose son Benedictus de Opiciis'. motet Sub tuum praesidium is contained elsewhere in the manuscript.

Vertaling

Hierdie unieke stuk bestaan ​​uit 'n twee-in-een-kanon by die boonste vierde en beide kanonieke dele genoteer. op 'n omsendbrief balk, op teenoorstaande bladsye van die bron, wat elke rondom die beeld van 'n roos, verteenwoordiger van. die Huis van Tudor. as miskien is die raaiselagtige teks van die stuk. Die visuele element van die elke sirkel is meer. as suiwer dekoratief. die stuk is soos volg uitgelê, in 'n palindromic vorm. Bars en. artikels. 1-8. , 9-27. , 28-32. , 33-49. B '. en 50-63. A '. Op twee afsonderlike punte laat die musiek mag self af 'n halwe toon deur die noodsaaklikheid musica Ficta te voeg. agtereenvolgens in die vorm van woonstelle. hierdie behandeling is, in teenstelling met die gewone implikasies van musica Ficta, verpligtend vir. die integriteit van die harmonie van hierdie stuk, en nie bloot aanvullende of cadentially dekoratiewe. dit het hier. is redaksioneel aangedui deur die gebruik van moderne toonsoorttekens. nie teenwoordig in die bron. wat verteenwoordig 'n. uitskryf van die musica Ficta vereis deur elk van die twee opeenvolgende 'pitch spirale ", wat die gebruik van 'n noodsaak. prakties ontoelaatbaar B dubbel-woonstel in die sleutel handtekeninge van die. Superius. Hoë. en die. Tenoor. Tenoor II. 'n ekstra plat is nodig vir hierdie dele as hulle is identies verplasings van hul onderskeie kanonieke bronne te wees. Royal 11 E. xi is die enigste bron vir hierdie werk. die spiraal bladsye is die eerste musikale items van die stel. En is nog anoniem. 'n moontlike verlening sou wees om Petrus de Opiciis, miskien die skepper of kommissaris van die werk. daar is 'n. inskripsie op die eerste, anders leë bladsy van die manuskrip wat lui, "My fieri AC componi fecit PO 1516". P. O. het my gemaak en vergader, 1516. , Miskien Petrus homself. En wie se seun Benedictus de Opiciis '. motet Sub tuum Praesidium word elders in die manuskrip vervat.