Bladmusiek

Oorspronklik

Beatus vir. Anonymous. A cappella. Sacred , Motet. Language. Latin. SATB.

Vertaling

Beatus Vir. Anonymous. A cappella. Heilige, Koraalmotet. Taal. Latin. SATB.

Oorspronklik

Source. The source for this psalm is found in manuscript and microfilm. The manuscript was prepared in the middle of the seventeenth century and is located in the archives in the Cathedral of Puebla de los Angeles, Mexico. Copies of the original manuscript can be. found in the University of South Carolina Music Library and the Library of Congress in the form of microfilm. Performance Suggestions. A keyboard reduction is provided for rehearsal purposes. however, if support is needed in performance a light organ sound, preferable a portative, would be appropriate. Occasionally, the range of the alto line is low and may need the. support of one or two tenor voices. The fermatas within the score represent a rest in the polyphony as in chant. They should not be metered and their length is at the discretion of the conductor. All solo lines would be chanted giving close attention to the stress of the text. Even though a tenor is suggested, because of historical accuracy, a group of men or a lower male voice may also be used. it was typical for women to chant only when men were not available. The meter change at the end of the piece is a triple alla breve relationship, meaning that the beat changes from the quarter note to the measure, hence the quarter note to dotted-half relationship.

Vertaling

Source. Die bron vir hierdie psalm is gevind in manuskrip en mikrofilm. Die manuskrip is bereid om in die middel van die sewentiende eeu en is geleë in die argiewe in die Katedraal van Puebla de los Angeles, Mexiko. Afskrifte van die oorspronklike manuskrip kan wees. gevind in die Universiteit van Suid-Carolina Musiek en die Biblioteek van die Kongres in die vorm van mikrofilm. Voorstelle vir prestasie. A sleutelbord vermindering word voorsien vir oefen doeleindes. Maar, as ondersteuning nodig is in die prestasie 'n ligte orrel klank, verkieslik 'n portative, sou gepas wees. Soms, die omvang van die alto lyn is laag en dalk die. ondersteuning van een of twee tenoor stemme. Die fermatas binne die telling verteenwoordig 'n rus in die polifonie as in chant. Hulle moet nie gemeet word en die lengte is aan die diskresie van die dirigent. Alle solo lyne sou gesing word gee baie aandag aan die stres van die teks. Selfs al is 'n tenoor word voorgestel, as gevolg van die historiese akkuraatheid, kan 'n groep mans of 'n laer manlike stem ook gebruik word. dit was tipies vir vroue te sing net vir mans was nie beskikbaar. Die meter verandering aan die einde van die stuk is 'n driedubbele alla breve verhouding, wat beteken dat die maat veranderinge van die kwartaal nota tot die mate, vandaar die kwartaal kennis te gesaai-half verhouding.