Bladmusiek

Oorspronklik

Plaudite tympana à 54. Heinrich Biber. Orchestra. 2 string groups. 2 violins, 4 violas each. , 2 descant recorders, treble and tenor recorders, 2 oboes, 2 clarini, 2 cornetti, 3 trombones, 2 trumpet groups. 4 trumpets, timpani each. , 2 organs, continuo. Sacred , Motet , Hymn. Language. Latin. SSAATTBB–SSAATTBB.

Vertaling

Plaudite tympana à 54. Heinrich Biber. Orchestra. 2 string groepe. 2 viole, altviole 4 elk. , 2 descant recorders, treble and tenor recorders, 2 oboes, 2 clarini, 2 cornetti, 3 trombones, 2 trumpet groups. 4 trompette, timpani elke. Twee organe, deurlopende. Heilige, Koraalmotet, Hymn. Taal. Latin. SSAATTBB–SSAATTBB.

Oorspronklik

This motet is a hymn accompanying the Missa Salisburgensis , composed by Biber in 1682 for the 1100th anniversary of the founding of the archbishopric of Salzburg by Saint Rupert. The vocal and instrumental forces comprise 16 solo and ripieno voice parts, and at least 38 instruments. the continuo is assumed to include a bass viol amongst other bass instruments, and possibly another keyboard instrument in addition to the two organs. In this motet, only the second bass of the second choir lacks a designated solo part. The score survives as a manuscript inscribed on massive 80 centimetre tall pages. From the time of its rediscovery in the late 19th century the work was attributed to the early 17th century composer Orazio Benevoli. who would have been 23 years old at the assumed date of composition. , or the later Salzburg composer Andreas Hofer, however the noted Biber scholar Ernst Hintermaier showed in the 1970s that Biber is the only possible composer of the work.

Vertaling

This motet is a hymn accompanying the Missa Salisburgensis , composed by Biber in 1682 for the 1100th anniversary of the founding of the archbishopric of Salzburg by Saint Rupert. Die vokale en instrumentale magte uit 16 solo en ripieno stem dele, en ten minste 38 instrumente. die continuo word aanvaar 'n bas harp onder bas instrumente, en moontlik ander klawerbordinstrument in Benewens die twee organe in te sluit. In this motet, only the second bass of the second choir lacks a designated solo part. Die telling oorleef as 'n manuskrip geskryf op massiewe 80 sentimeter lank bladsye. Van die tyd van sy herontdekking in die laat 19de eeu die werk is toegeskryf aan die begin van die 17de eeuse komponis Orazio Benevoli. wat 23 jaar oud sou gewees het by die veronderstelde datum van samestelling. , Of die later Salzburg komponis Andreas Hofer, maar die bekende Biber geleerde Ernst Hintermaier het in die 1970's dat Biber is die enigste moontlike komponis van die werk.